Originally Posted by Slippery Jack
... it also gets plus points for being the first one to be scored by David Arnold, going back to classy John Barry style orchestration after the godawful score that plagued Goldeneye . . .
Jesus! I can't stand Arnold or his music. It seems to me that he breaks out the Bond theme at every opportunity he can (probably no more than the earlier films though, and just my imagination because of my feelings).