From BE's list it's a toss up between "Hellraiser" and "Necromantik" both quite shocking in their own ways though "Hellraiser" wins it for me with it's religious undertow that is not too far away from the theme running through "Martyrs".
I read somewhere that Barker upped the S&M imagery in "Hellraiser" after a weekend of visiting gay S&M clubs with the band Coil.
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