#11
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With over 200 unwatched discs and almost no space left on my V+ box, it is near the top of a very long queue, but I plan on watching both Dellamorte Dellamorte and Nightmare next week.
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#15
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Mute Witness is a fine film and I am constantly surprised it isn't mentioned more in discourses upon the influence of Giallo. In The Mouth Of Madness is a truly superb film, and yet Wes Craven's New Nightmare has to be considered - Craven's finest film by far, a very intelligent, adult script (as we left the press screening Ramsey Campbell turned to me and said, "I would have been proud to have written that", which says it all) extremelt well filmed. But then there is Dellamorte Dellamore - a magnificent achievement. How does one decide? I think, if pushed I would just go for Wes Craven's New Nightmare as the most perfect and intelligent realisation of post-modernism in horror, and as the best film of an erratic director. |
#17
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You just have, congratulations!
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#19
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Wes Craven's New Nightmare, it hit all those 90's buzzwords like 'post-modern' and 'meta', plus, it was the best NOES since the first one! Almost a blueprint for Scream...
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#20
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New Nightmare I saw this on opening day and hated it. Watched it again when the entire series came out on DVD and flip flopped on that issue. Now it's my second favorite in the series after the original.
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