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  #111  
Old 28th February 2013, 07:00 PM
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Originally Posted by Slippery Jack View Post
But that's a good thing, right . . . ?
Definitely, not understanding it is one of the reasons why it has major rewatch value. That and the fact it's bloody brilliant too
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  #112  
Old 28th February 2013, 07:09 PM
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I think maybe this is the point.......you make your own mind up as to the meaning of it and every answer will be right.
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  #113  
Old 28th February 2013, 08:40 PM
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I think maybe this is the point.......you make your own mind up as to the meaning of it and every answer will be right.
Exactly the same reason I really liked this too and similarly why Mulholland drive is one of my favourite films ever.

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  #114  
Old 5th March 2013, 12:29 AM
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Does anybody else think BBS is to Giallo what Unforgiven was for westerns? Or am I overthinking it?
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  #115  
Old 5th March 2013, 12:57 AM
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Originally Posted by jiraffejustin View Post
Does anybody else think BBS is to Giallo what Unforgiven was for westerns? Or am I overthinking it?
Hmmm.....an interesting viewpoint, as Unforgiven was really a Western out of time, and BBS is very much a Giallo-esque piece that's out of its time. So, yeah, I can see your point.

I also think Berberian Sound Studio is an amazing piece of filmmaking. I see it as an ideas film more than a piece of conventional narrative filmmaking. It's a film full of concepts that you can latch onto and the ambiguous ending leaves you to make your own mind up. I understood it, but not in a way that I can convey with words, if that makes sense. It's that kind of film.
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  #116  
Old 5th March 2013, 02:52 AM
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With all of the positivity radiating throughout this thread I am going to have to give this a look. Shame it hasn't received a US release yet.
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  #117  
Old 5th March 2013, 05:37 PM
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Does anybody else think BBS is to Giallo what Unforgiven was for westerns? Or am I overthinking it?
hmmmm In that vain of thought I think AMER would be a suitable candidate.
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