
17th April 2017, 12:59 PM
|
 | Cult Master | | Join Date: Feb 2011 Location: Childhood home of Billy Idol and Max Splodge - Orpington | |
#78: Meglos
Release date - January 2011 Back cover info: "On Tigella, two opposing factions are irrevocably divided over one fundamental issue: the Dodecahedron, a mysterious artifact which provides the entire planet's energy. With the Savants and the Deons locked in a crippling stalemate, and their civilization on the brink of collapse, the Tigellan leader Zastor seeks the Doctor's help. But the Doctor and Romana have been trapped aboard the TARDIS in a time loop by Meglos, the last of the Zolpha Thurans, who will stop at nothing to steal back the awesome power of the Dodecahedron." Special features: - Audio Commentary with Lalla Ward (Romana), Christopher Owen (Earthling), John Flanagan (co-Writer) and Paddy Kingsland and Peter Howell (Composers)
- Subtitle Information Text
- Isolated Music Score
- Meglos Men (dur. 18.13) - Writers John Flanagan and Andrew McCulloch meet with script editor Christopher H. Bidmead
- The Scene Sync Story (dur. 11.05) - ‘Meglos’ used a pioneering process called Scene Sync in the creation of many of its shots, in which a robotic camera moving over a model set followed the movements of a studio camera photographing the actors in a bluescreen set, allowing the two to be composited together into a single image. This documentary looks at the technology behind this precursor to today’s virtual-studio productions
- Jacqueline Hill: A Life in Pictures (dur. 12.57) - Profile of the actress who appeared in this story, and was also played original companion Barbara Wright
- Entropy Explained (dur. 4.54) - Dr. Phillip Trowga of the University of Westminster looks at the principle of entropy, key to the plot of ‘Meglos’.
- Coming Soon Trailer: The Mutants (dur. 4.19)
- Photo Gallery
Easter Egg:
Special Features Menu - Highlight 'Audio Options' - Press 'Left' For Logo - Enter For Clean Title Sequence
__________________
People try to put us down
Just because we get around Golly, Gee! it's wrong to be so guilty |