Quote:
Originally Posted by Rik  It’s the PULSE version I love, speaking from a guitarists POV, it wipes the floor with anything by popular fretwankers like Satch, Vai, EVH, Malmsteen etc, Gilmour proves that you don’t need to play a million notes a second and tap the fretboard like some kind of demented idiot to make the guitar sing 
Also, when those four notes in Shine on you Crazy Diamond ring out (PULSE again), it never fails to make the hairs stand up on my arms, even watching our local tribute band Off the Wall playing it does the same  |
I agree there regarding speed merchants but what makes it better than say,
Gary Moore's
Parisienne Walkways which is a personal fave of mine. Or is it just down to individual taste?
I sold my
Pulse album when the light stopped er' pulsing. Wish i'd kept it now.