27th April 2021, 05:58 PM
|
| Cult Don Cult Labs Radio Contributor Good Trader Senior Moderator | | Join Date: Jan 2008 Location: Glasgow | |
Music's better as well.
From Wiki.... Music
Nearly all of the film's music score borrows heavily from the first and last movements of Dmitri Shostakovich's Leningrad Symphony, particularly the march theme of the first movement, which is almost quoted verbatim, a practice which the composer Bill Conti would later employ in The Right Stuff with Tchaikovsky's Violin Concerto. Shostakovich's Symphony No. 7 has always been associated with secondary meanings within the music aimed at the Stalinist regime's overwhelming repression of individualism and freedom of expression, but at the time of its composition during the war was said to represent the oppression of Nazism. At the end of the film, the last part of Shostakovich's Symphony No. 5 is also used to signify the triumphant conclusion of the story. However, while the music may fulfil the final moments of Escape to Victory's exultant ending explicitly, it is believed Shostakovich wrote the ending to his symphony to imply forced rejoicing under an authoritarian force. More prosaically, the music also pays tribute to Elmer Bernstein’s score for The Great Escape.
__________________ Teddy, I'm a Scotch drinker - you know that. I just have the occasional brandy when I'm not drinking. |