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  #451  
Old 17th January 2020, 06:25 PM
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Jarvis Cockerís cover on the Shaken Not Stirred album is very good too!
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  #452  
Old 17th January 2020, 07:34 PM
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All Time High ainít half bad.


But Smith's makes it look half good! (Just a little joke )
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  #453  
Old 17th January 2020, 07:37 PM
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Jarvis Cockerís cover on the Shaken Not Stirred album is very good too!


I've never heard it before....until right now.

Mate, we need to have a serious talk
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  #454  
Old 17th January 2020, 07:38 PM
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I've never heard it before....until right now.

Mate, we need to have a serious talk


I really like it - I like most of the tunes from that album.
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  #455  
Old 17th January 2020, 07:52 PM
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I really like it - I like most of the tunes from that album.


I just found it really weird. Started off thinking, whaaaat? Then the music started and I thought, oh, it could be alright, then Jarvis started singing and that was it for me.
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  #456  
Old 17th January 2020, 07:57 PM
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I wish to hell someone would release these films with their original artwork.
They're some of the best posters ever designed.

The Moore posters,especially are outstanding!
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  #457  
Old 17th January 2020, 08:16 PM
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I wish to hell someone would release these films with their original artwork.

They're some of the best posters ever designed.



The Moore posters,especially are outstanding!


I was saying the same thing again the other day. Every re-release is either in box or if they do get individual releases they always come up with more photoshopped nonsense.
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  #458  
Old 20th January 2020, 01:11 PM
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If I ever meet the photoshop guy........
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  #459  
Old 14th February 2020, 01:00 AM
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No Time To Die's opening track. ZZZZZzzzzzzzzzzz. So boring.

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  #460  
Old 14th February 2020, 05:54 AM
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Originally Posted by SymbioticFunction View Post
No Time To Die's opening track. ZZZZZzzzzzzzzzzz. So boring.

No Time To Die: The verdict on Billie Eilish's James Bond theme | BBC News

"Eilish wrote and produced the title song with her elder brother Finneas O'Connell late last year. Speaking at the Grammys in January, she said working on the franchise had always been one of their goals.

"Subconsciously and consciously, we've been trying to write a Bond theme for our whole lives," she told E! News.

Shrewdly, the duo retain their dark, off-kilter style throughout the song, while incorporating several of the film series' musical touchstones - swelling strings, discordant brass, and, best of all, it finishes with the distinctive minor 9th chord that closes out Monty Norman's original Bond theme.

Lyrically, they touch upon the psychological toll of 007's licence to kill, with the observation: "The blood you bleed is just the blood you own".

But the song is very much about a romantic betrayal. "Was I stupid to love you? / Was I reckless to help?" asks Eilish in the bridge.

The musician is known for her intimate, designed-for-headphone vocal style, but she rises to the challenge of the song's soaring climax, with her early vulnerability transforming into strength and resolve.

It's easily the most audacious and atmospheric take on the Bond theme in living memory."
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