#92
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Tomas Milian is NUTS in this film and Silva, as the copper, is on great form too. A wholehearted recommendation from me |
#93
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I'm slightly concerned that I might enjoy this so much it will lead onto wanting to buy as many similar films as possible, in order to have the greats of this particular subgenre. That happened when I stumbled onto a giallo (I forget which one) years ago and I'm still not happy with the amount I have!
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#94
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You'll see what I mean when you start checking them out, they're terrific fun (ALMOST HUMAN less so on account of it being quite nasty but it's every bit as good a film) and the prolific actors of the poliziotteschi (Milian, Maurizio Merli, Luc Merenda, Fabio Testi, et al) are great, the films have superb music scores and are fact paced and (usually) quite violent too. It's a tough call to make to say whether I prefer the poliotteschi or the giallo but I will say that I do rate them higher than the majority of Italian horror and spaghetti westerns. |
#95
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I concur Paul! There's more scope style-wise to the Poliziotteschi than the giallo - from the political grittiness ('Banditi a Milano' - which Michael Mann's 'Heat' certainly owes a debt to) to all-out action ('Il giustiziere sfida la cittÃ*') to comedy (practically anything starring Milian post '75) - there's something for everyone! And yes, the soundtracks rock!
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#96
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I've still got to get around to seeing BANDITS OF MILAN, Justin, but agree, Il giustiziere sfida la cittÃ* (aka SYNDICATE SADISTS) is great fun and probably the first action film to introduce a hero called Rambo! The Milian comedies (as Nico Giraldi) are patchy but fun. Bruno Corbucci certainly wasn't as an accomplished a director as his brother, Sergio, that's for sure |
#97
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Bandits is an absolute must watch - political, funny, exciting and heartbreaking. Volonte is, of course, fantastic. Ultimately a non-linear car-chase / man-hunt that packs in the pitfalls of pop stardom, mafioso corruption and that wonder from Wolverhampton, Margaret Lee.
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#98
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#99
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While we're talking of STREET LAW, I was really surprised to hear Guido and Maurizio de Angelis's 'Goodbye My Friend' play extensively throughout the opening of recent Dwayne Johnson revenge thriller FASTER. Goes to show that the influence of these films has affected some of the younger directors making films today. |
#100
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Just staying with poliziotteschi for a moment, is it me or do The Cop In Blue Jeans and Violent Naples have the same theme music? even though they have different actors, directors etc.
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