#11
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#12
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I think the score works very well with the movie. It may not be as iconic as the Suspiria score but it's still a rather good one.
__________________ Is that a gun in your pocket or are you just happy to see me? |
#13
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Haven't heard Inferno's synth score for years but seem to recall enjoying it the last time around. I would most definitely put Emerson's electronic effort in third place behind the celebrated soundtracks of both Suspiria and Deep Red. |
#14
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Lovely score,up there with Suspiria and Deep Red.
__________________ Teddy, I'm a Scotch drinker - you know that. I just have the occasional brandy when I'm not drinking. |
#15
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#16
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It's comparable to John Harrison's Day of the Dead score which combined synth with guitar and was scored to fit the scenes, whereas the Goblin music for Dawn of the Dead was inserted alongside the library tracks Romero used. I own all of the Argento scores and the Inferno one I find myself listening to the most. The mysterious quality of the opening piano theme, the energetic pieces (A Cat attic Attack's finale) and the Omen'esque Mater Tenenbrarum make for a great listen. I'm curious to experience it in the new soundmix of the upcoming blu-ray. |
#17
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You all in the mood?
__________________ Teddy, I'm a Scotch drinker - you know that. I just have the occasional brandy when I'm not drinking. |
#18
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Emmerson's five-four reworking of one of Verdi's most famous pieces is a work of twisted genuis. Some of the other stuff in Inferno is a bit too strident or melodramatic. Kev W |
#20
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Apart from Mater Tenebraum, it's overblown shite. but then i fg loathe ELP ahem.
__________________ [SIGPIC][/SIGPIC] [B] "... the days ahead will be filled with struggle ... and coated in marzipan ... "[/B] |
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