Paul@TheOverlook | 15th February 2012 01:41 PM | Quote:
Originally Posted by PaulD
(Post 216938)
That's just crazy talk! I prefer it to Body Double but in my eyes Blow Out is DePalma's thriller masterpiece. Blow Out is such an incredible film.
This is one of those posts that needs to be suffixed with the old "each to their own" comment isn't it? :) | Crazy talk indeed! I think BLOW OUT is wonderful but DRESSED TO KILL just edges it for me. It’s a very close call though. Quote:
Originally Posted by Nosferatu@Cult Labs
(Post 216969)
I'm of the same opinion (Body Double is a DVD I really should own), but also think Blow Out is a better film than Obsession. As it's been a while since I saw the film inspired by The Conversation, I may change my opinion as to where it stands against De Palma's Vertigo homage. (Is it just me, or is there a theme here?!)
Fortunately, I have the Criterion Collection BD so it won't be long until I next see Blow Out! | Both BLOW OUT and THE COVERSATION owe a lot to Antonioni’s BLOW-UP too. Another great film that’s long overdue a release on Blu-ray. :nod: Quote:
Originally Posted by Baseball Fury
(Post 216978)
Definitely, De Palma is, in a lot of peoples eyes, a lazy thief. A third rate Hitchcock. A complete hack.
I used to think that way, I'm kind of on the fence. Some of his stuff is great, but a lot of it is a derivative mess (especially Body Double and Dressed To Kill).
| That’s just snobbery and nothing more. I love getting into arguments with people who write De Palma off as a Hitchcock-aping hack. Some people just like to flex their intellect and it’s all too easy to accuse De Palma of ripping off Hitchcock’s aesthetic and thematic content. In my eyes De Palma was the successor to Hitch, continuing to dabble with many of the techniques pioneered by the older master and paying homage to the plots of many of his films: OBSESSION/VERTIGO; RAISING CAIN/PSYCHO; BODY DOUBLE/REAR WINDOW, and so on.
It always amazes me when De Palma’s critics accuse him of indulging the explicit sex and violence that Hitchcock “stayed away from” and that “Hitchcock never had to resort to cheap tricks to shock his audience” – again, rubbish. Hitchcock, great director that he was, was confined to make films during the heavily censored era of the Hays Code – anyone who’s seen FRENZY will tell you that Hitchcock didn’t have a problem with material that was more extreme in nature it was that he was unable to bring it to the screen before making FRENZY. De Palma’s thrillers are all great fun (though do vary between good and excellent) and a showcase for incredible technical expertise. I think he deserves a lot more respect. :clap: |