#5551
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#5552
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For instance, knowing some of the 'jungle savages' in Cannibal Holocaust were played by office workers who were happy wearing shirts and Levi's, stripping off to don wigs and loincloths to play misogynistic cannibals completely alters the point I think Deodato was trying to make. Additionally, Steven Spielberg presenting monkey brains as a traditional Indian dish is just not funny, so that scene doesn't work at all for me. Offended is a strong word but, and I can only speak for myself, it's not applicable to Temple of Doom because the inaccuracy ruins the sense of fun and enjoyment rather than causing genuine offence.
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#5553
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That is something he addresses in the book which, as I say, is an excellent read and I found it really thought-provoking.
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#5554
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Top Ten Tuesdays
Same can be said for Kim Newman (which I mentioned in the CH Shameless thread a few years back. In his review for Last Cannibal World in the Eaten Alive! book he states "Now it's over and done with, I can leave Last Cannibal World behind and never have to think about any of these films ever again." That was in 2001/2, fast forward ten years and he's featured in one of the special features of Shameless's CH blu, discussing the film/s, proving that money talks Edit: here's my post from 6 years ago saying the exact same thing SHAM031 / SHAM201 – Cannibal Holocaust: The Blu-Ray and DVD Specs https://r.tapatalk.com/shareLink?sha...2&share_type=t
__________________ If I'm curt with you it's because time is a factor. I think fast, I talk fast and I need you guys to act fast if you wanna get out of this. So, pretty please... with sugar on top. Clean the ****ing car! |
#5555
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#5556
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As for me. I really do think they are all bloody awful. Hours of wandering round in jungles with directors who threw in animal slaughter to ease the tedium before a final ten minutes of gut munching. I love how Nos believes that Deodato had some ulterior political motive behind Holocaust. No he didn't, it's non-pc trash from a hack director, made to make money as cheaply as possible. No offence, Nos. We'll never see eye to eye on this one. |
#5557
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I can't remember, I only watched the doc once when it was released years ago, my point was about him stating in the book how he'd never have to think about the films again, i.e. never write/talk about them again, but he's quite happy to do it if he's paid for it I would imagine his opinions on the genre stayed the same in the ten years between the Last Cannibal World review and his participation in the CH doc
__________________ If I'm curt with you it's because time is a factor. I think fast, I talk fast and I need you guys to act fast if you wanna get out of this. So, pretty please... with sugar on top. Clean the ****ing car! |
#5558
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I think there is mileage in looking out, as to the best of my recollection Calum does, the cannibal cycle of films, the different countries in which they are made and purport to represent and analysing whether this is something which differs from director to director, is a product of the Italian film industry, the European worldview which supported the industry and the effect on the people and places represented in those films. Cannibal Holocaust is a film with higher aspirations than Cannibal Ferox, with the structure seemingly looking to make the viewer question what they are watching and their complicity in the appalling cruelty and real-life death which is documented within the film.
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#5559
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I've been meaning to pick up Calum's CH book for awhile now, I enjoyed his Taboo Breakers book, which features a discussion about CH
__________________ If I'm curt with you it's because time is a factor. I think fast, I talk fast and I need you guys to act fast if you wanna get out of this. So, pretty please... with sugar on top. Clean the ****ing car! |
#5560
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If you truly believe what you have typed then it really is exploitation at it's finest from a hack director. We'll never see eye to eye on this subject, Nos. |
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