7th October 2012, 10:32 PM
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| Cultist on the Rampage | | Join Date: May 2011 Location: Leeds, UK | |
Quote:
Originally Posted by Make Them Die Slowly I've wanted to see I ZOMBIE for ages after seeing Parkinson's DEAD CREATURES which I enjoyed in all it's bleakness. It gets compared to Mike Leigh's films and that's not a bad way of describing it, though the twitches and body jerks in this are more due to decay and cravings rather than the annoying improvised twitches that often pass as characterisation in Leigh's films. | "Secrets and lies, why can't we share our PAIN?"
Yeah, I know what you mean - although sometimes that improvised stuff really works, like in 'Naked', where you can believe they threw out the script and just wired David Thewlis's brain to some kind of amphetamine electrode attached to Mark E Smith's gob.
Just seen the exact opposite of a Mike Leigh film - DETENTION. What's with all this crazy post modern bollocks going on in horror at the moment? If you thought 'Cabin in the Woods' was grating, you wouldn't want to go within spitting distance of this one. It's just an insane barrage of pop culture references delivered in a whirlwind of the cinematic equivalent of text-speak. I can't begin to describe the 'plot' without using a string of unrelated words and phrases along the lines of "American high school, random slasher, nineties references, time travelling bear, C&C Music Factory, Cronenberg's 'The Fly' a la jock, nineties references, film within a film within a film within a (slasher) film, UFO, nineties references, keyboard guitar, 1992, grody etc etc etc". Can't decide whether I quite liked it or f*cking hated it, and I'm not sure whether I could be arsed to watch it again to find out, but I suppose I'm quite heartened by the fact that studios are putting this deliriously non-mainstream kind of thing out.
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