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This sounds amazing. I've seen clips of his tax fraud film Eldorado and it looks absolutely ghastly. Will have to seek this out too by the sounds of it. |
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You should be able to pick up a used copy pretty cheap. It's Film 2000, so obviously don't expect miracles, but the AV quality is actually fine and for once it's in its correct aspect ratio and not cropped to full screen (though non-anamorphic). As for Driscoll's other mistakes, I'm tempted to track them down but they seem weirdly expensive. |
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I recently watched the Shout Factory DVDs of Forbidden World, Galaxy of Terror and Humanoids from the Deep. All in all, a very entertaining experience!
__________________ From the bowels of the earth they came ... to collect DVDs! |
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You might enjoy it, but apart from a couple of moments, it's dull and predictable
__________________ If I'm curt with you it's because time is a factor. I think fast, I talk fast and I need you guys to act fast if you wanna get out of this. So, pretty please... with sugar on top. Clean the ****ing car! |
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What Films Have You Seen Recently?
Finally saw Universal Soldier: Day Of Reckoning after buying the Dutch blu-ray, and man was it a tough watch. Not because it was bad, just due to the ferocity of the whole thing. Some really brutal fight scenes, and Scott Adkins owned the film. Although Van Damme is top billed, both he & Lundgren are supporting players, the "villains" (I put it like that because it's not so clear cut, and I don't want to elaborate, as it would spoil it for those who haven't seen it yet). I watched the 3D version and although it was filmed in 3D, it brought absolutely nothing to the movie.
__________________ "Give me grain or give me death!" Last edited by Stephen@Cult Labs; 29th August 2014 at 09:51 PM. |
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Bloodthirsty Butchers (1970) Andy Milligan does Sweeney Todd as only Andy Milligan can, with plenty of sleazy shenanigans, bad accents, and mutton chops galore. However, beneath the thin crust of abject silliness lies a dark, and at times brutal filling, and a curious ensemble of characters to match. The film is quite 'talky', which some may find dull at times, but these long-winded conversations just added to the film's offbeat charm (for the most part) for me. Milligan is definitely a director you either click with or don't, and the more of his films I watch, the more I enjoy what is served up to me. Originally posted here: Nightmare USA Films Discussion Thread |
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The Purge The year is 2022. In America unemployment is at 1%. Crime rate is at an all time low. For one night per year, for 12 hours all crime (including murder) is legal, to cleanse yourself of your hatred. It's a pretty good concept. Too bad it's used as an excuse to make a pretty average home invasion film. I was pretty wary before watching this. I just wanted to see it for the curiosity. It's a pretty average thriller that's been done hundreds of times before. It does win extra points for it's ending. 6/10
__________________ My Video Nasty Podcast (Born Nasty) and "Let's Play..." YouTube Channel: http://tinyurl.com/hyphk7u |
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STITCHFACE - Scored myself a copy on the basis of Dem's recent review. I'm really pleased that I did, because 'Stitchface' turned out to be one of the strangest viewing experiences I've had in a while (OK, well it's not as strange as 'Runaway Nightmare', but I've been on a roll with movie weirdness over the last few weeks). Directed by the mysterious 'Ajai', 'Stitchface' takes us to a house in the desert, where Edward Furlong and his partner try to come to terms with the loss of their child. They hook up with two friends and get into some ceremonial catharsis which they hope will purge their suffering. None of this is very convincing. I found the characters and performances plastic and sometimes inept, which could easily have been fatal given the subject matter. You know, we have characters yelling things like "death is the infinite abyss of pure non-existence", stuff which makes me go "yay!" and "nahhh..." at the same time. What makes 'Stitchface' definitively worthwhile is the barrage of bizarreness it becomes midway through, after the housemate's ritual unleashes strange forces which manifest as apocalyptic weather conditions and decidedly creeped out looking entities. Again, there is something a bit inept about the constant flux of CGI imagery, but on some level it really works. There's just something about the oppressive atmosphere that comes into play and the claustrophobic chaos that dominates the movie's second half. 'Stitchface' may not be very a good film in conventional terms. But, in its dime-store surrealism which always seems to teeter on that thin divide between incompetence and intention, it is odd, baffling and in the end, for me, totally mesmerising. It's the kind of thing I always want microbudget horror to be, and for once I haven't been let down.
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