6th November 2014, 09:54 PM
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| Cultist on the Rampage | | Join Date: May 2011 Location: Leeds, UK | |
LUST FOR FRANKENSTEIN - One of the reasons I admire Jess Franco so much as a director is that his heart was so clearly in it. By 'it', I mean the macabre, the fantastique and the sleazy. No-one was paying him to make films like 'Lust For Frankenstein', surely? All the later video-era stuff he did seems like a massive labour of love... threadbare sets, cheapo vid-cam, friends and lovers for actors, a load of bad video effects. In terms of actually sitting through them, some of those films are a bit of a labour of love on the part of his audience, too. But a lot of them, despite absolutely miniscule budgets, do actually feel like Franco films. Not only are they full of his usual content, but something about the way they work visually comes through - the way he often seems obsessed with light shining in odd ways, for example. 'Lust For Frankenstein' features Michelle Bauer as a Frankenstein monster and Lina Romay as Frankenstein's daughter. The ghost of Frankenstein himself pops up occasionally to instruct Lina to play some punk records from his collection. Lots of bad shagging happens, as does occasionally inspired 'poetic dialogue' and really awful visual effects. It feels simultaneously mind boggling and boring, and just misses the hypnotic effect Franco induces at his best. It's the kind of film that best lives in the memory rather than as a live viewing, because, although I use the term 'dream-like' too often, that's the way 'Lust For Frankenstein' feels - hazy, fragmented, nonsensical, already a distant recollection even as it moves on the screen. The kind of thing you watch half asleep at some hour of the early morning that doesn't quite exist. I did like it, but I probably need reconditioning.
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