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There was a reissue DVD (Universal) that was much better than the old one. |
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It's strange that I was almost expecting the worst because of its 'Razzie' nominations, but at no point did it feel like a film with poor construction, performances or aspects which should be condemned. It's confounding, beguiling and absolutely compelling.
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Must be viewing it on a crap tv or something as it looks fine to me. The reissue dvd The original was pretty good |
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They’ve got a brand new 47” 4K TV
__________________ If I'm curt with you it's because time is a factor. I think fast, I talk fast and I need you guys to act fast if you wanna get out of this. So, pretty please... with sugar on top. Clean the ****ing car! |
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Regarding The Thing (1982) Please note that the Blu-rays have had some deletions to content in the audio commentary track available on previous Laserdisc and DVD releases. |
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I’m not bothered when the picture looks as good as it does, I’ve listened to the Carpenter/Russell commentary enough times now to not bother again anyway
__________________ If I'm curt with you it's because time is a factor. I think fast, I talk fast and I need you guys to act fast if you wanna get out of this. So, pretty please... with sugar on top. Clean the ****ing car! |
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For many uncut and a good picture is the way to go.
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Going back to mother!, I love the essay Martin Scorsese wrote for The Hollywood Reporter about the immediate negative reviews and his experience of the film ("experience" is probably a good word because that's exactly what it is) and this passage in particular: "Before I actually saw mother!, I was extremely disturbed by all of the severe judgments of it. Many people seemed to want to define the film, box it in, find it wanting and condemn it. And many seemed to take joy in the fact that it received an F grade from Cinemascore. This actually became a news story — mother! had been "slapped" with the "dreaded" Cinemascore F rating, a terrible distinction that it shares with pictures directed by Robert Altman, Jane Campion, William Friedkin and Steven Soderbergh. After I had a chance to see mother!, I was even more disturbed by this rush to judgment, and that's why I wanted to share my thoughts. People seemed to be out for blood, simply because the film couldn't be easily defined or interpreted or reduced to a two-word description. Is it a horror movie, or a dark comedy, or a biblical allegory, or a cautionary fable about moral and environmental devastation? Maybe a little of all of the above, but certainly not just any one of those neat categories. Is it a picture that has to be explained? What about the experience of watching mother!? It was so tactile, so beautifully staged and acted — the subjective camera and the POV reverse angles, always in motion … the sound design, which comes at the viewer from around corners and leads you deeper and deeper into the nightmare … the unfolding of the story, which very gradually becomes more and more upsetting as the film goes forward. The horror, the dark comedy, the biblical elements, the cautionary fable — they're all there, but they're elements in the total experience, which engulfs the characters and the viewers along with them. Only a true, passionate filmmaker could have made this picture, which I'm still experiencing weeks after I saw it." I encourage you to read the entire article, whether or not you've seen the film – it's a thought-provoking critique on the modern move for reviews that will fit into a tweet or simple soundbite, and whether or not this instant judgement is, or indeed a new phenomenon. https://www.hollywoodreporter.com/ne...column-1047286
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