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I saw this on Friday and, like you, thought it was superb. It's quite possibly the best film I've seen this year and, following the wonderful A Single Man, cements Tom Ford as someone with a brilliant cinematic eye. It's clear almost every frame has been painstakingly composed and designed to within an inch of its life, but that doesn't detract from the compelling narrative and powerful performances from everyone involved. I found some of it very tough to watch, but that is necessary for the ending to mean something and be contextually necessary.
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The Light Between Oceans (2016) From Derek Cianfrance, the man who directed Blue Valentine and The Place Beyond the Pines, two films I rate very highly, and based on the novel of the same name by M. L. Stedman, this tells the story of Tom Sherborne, a World War I veteran who, in November 1919, is hired to be the lightkeeper at Janus Rock, a small and desolate island off the coast of Western Australia, which only has one feature: a lighthouse. Sherborne is haunted by the four years he spent on the Western front and therefore isn't fazed by the thought of spending so much time alone and the isolation drove his predecessor to an institution. Before setting off for the first time, he catches the eye of Isabel, a local girl, whose brothers died in the 'Great War'. After some time, they fall in love and marry, enabling Isabel to move to the island with Tom and they try, unsuccessfully, for a family. One day, Tom notices a rowboat floating close to the island and, running out of it, finds it containing a man, long dead, and a crying baby. Isabel has recently miscarried and convinces her husband not to the report the incident, but to bury the body and raise the girl as their own. This proves to be a moral and ethical problem for Tom, but he agrees and things go well until they are on the mainland for Isabel's christening and he notices a woman in the graveyard in front of a headstone, showing her husband and daughter were lost at sea and presumed dead when Tom and Isabel found the rowboat, and is disturbed by the knowledge and the fact he is raising someone else's daughter, someone pining for her lost child. In the main roles, Michael Fassbender and Alicia Vikander are both compelling, really driving the moral and ethical issues within the story, and the period design, music, and cinematography are all top notch. Sadly, the film is sometimes bogged down in over-sentimentality and becomes a little sluggish when the pace should really pick up. It is a great story and one which is interesting because there are several 'what would you do?' situations which lead to discussion after the film, but the pacing was a problem and it was probably 15 minutes too long. It is well worth seeing if you are a frequent visitor to a cinema, but there are better films currently showing which should take priority.
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I was considering this but I had a feeling it was in the vein of all of those Nicholas Sparks adaptations so I avoided it, but it sounds quite dark actually. I might go and see this over the next couple of weeks, either this or The Accountant
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Cherry Tree (2015) Irish/Dutch horror from the director and makers of Hammer's Wake Wood. It's a story of a high school girl who learns her father is dying and is approached by her new hockey coach (Anna Walton) who might have a way to save him. The film then delves into ancient witchcraft territory as a coven of witches headed by Walton are practicing the dark arts in an underground cavern below the roots of an ancient cherry tree. Although it ventures on grounds also tread by the aforementioned Wake Wood (2009) it also goes down the Rosemary's Baby (1968) route. It is however a more gruesome proposition than both those films. Cherry Tree doesn't skimp on the gore nor on the satanic orgy aspect. People with an aversion to insects, centipede's in particular, should steer clear as the large creepy crawlies venture into human orifices on several disgusting occasions. Cherry Tree delivers chills and stomach churning horror but also plays a bit clumsy too. Something isn't quite right, it's not really as scary as it should be but i can't put my finger on why. It's slick and well made with decent acting, perhaps this is why, it's not quite the grotty horror you'd hope for. Having said that it's a film i'd go back to before any of the supernatural studio films pretending to be horror, doing the rounds at the moment, i did enjoy it and i do recommend it. |
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