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  #4541  
Old 19th April 2010, 10:54 AM
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Default Murder loves killers too

Ijust watched murder loves killers too.Very loosly based on B.T.K. an only a small body count 4 gone in less than 30/35 mins av lose remake of the 70s slasher but brill at 09:30 in the morning .Got me up and ready/oh yea b4 i 4get mama mia why where you tied to a chair.
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  #4542  
Old 19th April 2010, 11:03 AM
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Sorry, Vince! It seems quite a lot of people luv that film.
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  #4543  
Old 19th April 2010, 11:19 AM
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They should be ashamed of themselves.
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  #4544  
Old 19th April 2010, 07:20 PM
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I watched The Burning & The Gorgon over the weekend. Good times.
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  #4545  
Old 19th April 2010, 08:19 PM
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The Love Butcher

Silly but entertaining. Sadly still no official UK release...35 years on.
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  #4546  
Old 19th April 2010, 08:59 PM
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Default What films have you seen recently?

Quote:
Originally Posted by vincenzo View Post
Including Michael Jackson.

Not a fan pf Part II though it has its pluses. Namely Suzanne Snyder.
Haven't seen ROTLD 2, but I think the first was overrated.
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  #4547  
Old 19th April 2010, 09:01 PM
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Quote:
Originally Posted by Angel View Post
The Love Butcher

Silly but entertaining. Sadly still no official UK release...35 years on.
Substance release Angel?
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  #4548  
Old 19th April 2010, 09:08 PM
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Watched Suspiria on Blu ray again today...a thing of beauty. The colours are blinding and the sound deafening. One of the true perfect horror movies
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  #4549  
Old 20th April 2010, 06:34 AM
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Quote:
Originally Posted by reaper72 View Post
Substance release Angel?
No it was the UK pre cert, Reaps.
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  #4550  
Old 20th April 2010, 01:51 PM
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Quote:
Originally Posted by Angel View Post
The Love Butcher

Silly but entertaining. Sadly still no official UK release...35 years on.
Wonderful stuff!
I have the big ass American VHS of it.



"The Tall T"

Another of the Randolph Scott/Budd Boetticher Westerns that opens with all dazzling smiles and happy-happy dialogue and attitudes (and a typically crap 50's Western musical score that drowns you in saccharine and cheese) before it becomes surprisingly dark and violent.

A verbal plot revelation, involving a well, is certainly hard-hitting and quite shocking and from then on there is an air of genuine menace here as the (ever marvelous) Richard Boone's gang (including a young Henry Silva in full psycho mode) take Scott, a purposely dowdy Maureen O'Sullivan and her husband captive.

The lean running time helps the fact the plot is thin and the top performances from all concerned also help to push the film higher than it's basic set-up (based on a story by Elmore Leonard) and the odd moment of violence (especially a scene involving a shotgun and a face and the finale) add punch to the movie.
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