I think i'll watch it again in the Autumn. There are one or two returning characters in the trailer from early series and i've forgotten exactly how they bowed out initially.

From the trailer it does look to be a case of if you like the series then you'll like the film.

This one looks interesting and messed up

http://www.youtube.com/watch?v=eIvbEC8N3cA

The Daily Mail gave Tarantino's new film, Once Upon a Time in Hollywood, five stars, following it's premier at Cannes, saying it's his best since Pulp Fiction.

https://www.dailymail.co.uk/tvshowbi...p-Fiction.html

I’m not clicking on that link because I don’t want shit on my iPad, but I’ve read a few other reviews that are praising the film, can’t wait to see it in August :nod:

Good because tbh his last 3 4 films me personally I've not been impressed with, his last film that I really enjoyed was Kill Bill and highly like every film before that, think he gone down hill a bit since then.

Only Tarantino film I’m not overly keen on is Death Proof, compared to his other films it’s just a bit boring, especially the scene with Zöe Bell riding the bonnet of the car for 3 hours :lol:

I really liked The Hateful 8, thought Django was good but the constant racism was just too much, Death Proof gets better with each watch. It's Kill Bill Vol 2 which i'm not keen on so much. :lol:

Could have been worse. It could have been Jamie Bell. :lol:

Just couldn't get into Django for some reason, and found hateful 8 quite dull, shame because it was beautifully shot. Not in anyway way saying there rubbish I just couldn't take to them but at same time can tell all the effort put into to them tho.

Peter Bradshaw at The Guardian also loved it, giving it five stars. These are the first two paragraphs of his review:

"Quentin Tarantino’s exploitation black-comedy thriller Once Upon a Time … in Hollywood finds a pulp-fictionally redemptive take on the Manson nightmare in late-60s California: a B-movie loser’s state of grace.

It’s shocking, gripping, dazzlingly shot in the celluloid-primary colours of sky blue and sunset gold: colours with the warmth that Mama Cass sang about. The Los Angeles of 1969 is recovered with all Tarantino’s habitual intensity and delirious, hysterical connoisseurship of pop culture detail. But there’s something new here: not just erotic cinephilia, but TV-philia, an intense awareness of the small screen background to everyone’s lives. Opinions are going to divide about this film’s startling and spectacularly provocative ending, which Tarantino is concerned to keep secret and which I have no intention of revealing here. But certainly any ostensible error of taste is nothing like, say, those in the much admired Inglourious Basterds. And maybe worrying about taste is to miss the point of this bizarre Jacobean horror fantasy."

https://www.theguardian.com/film/201...-dicaprio-pitt

The new trailer:

http://www.youtube.com/watch?v=P3DmN7F1H-s