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Asda also have it for £3.50. |
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I concur that the book is fantastic! |
October 10th 1 Attachment(s) The Uninvited (1944) Ray Milland and his sister, Ruth Hussey, purchase an old house on the Cornish coast and find it to be haunted. Made as just a filler or B-production, The Uninvited quickly became much more than that with all it's elements coming together to produce a genre classic. The cinematography is terrific but it's the sound design that truly stands out. We see and practically feel every breeze, and every ghostly noise, especially the sobbing, seems to be in the room with us. The hauntings are brilliantly conceived throughout. There's also a bit of dark humour as Milland in attempting to justify what is happening to sis is really trying to hold back his own terror and convince himself nothing was to be feared. Superb from beginning to end. |
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Possession (1981, Andre Zulawski) Searing and unflinching. But enough of my curried plums :lol:.... More grounded than Kramer Vs Kramer, this rather heightened tale of betrayal and paranoia betwixt a warring couple is an unusual choice ...or is it? There's plenty of claret :nod:. and lots of screaming .... and twas banned by our fearless moral guardians as being "depraving and corrupting". So there :tongue1: Sam Neill and Isabelle Adjani try and out diva each other here. It's a very operatic film imho ... Neill just lets rip without any net at the drop of a hat, and Adjani just about tops him with the "tunnel" sequence. Haven't seen this one? Well, it's ARTHOUSE with gore wink wink. Whomever is left can sort it out for themselves. Watch the trailer. Actually don't. :laugh: This was the SS UK dvd. Cannot wait to get this on BD. :nod: |
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As has been said, it's also a novel which has sections which are overlong and really needed 'pruning', something typical of most of Stephen King's longer books (the short stories and shorter novels like Carrie are different). |
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Nice signature image by the way.Trick r' Treat is one of those films that is guaranteed an October viewing for me. |
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