| ||||
Quote:
|
| ||||
They Drive By Night (1940) - Ida Lupino steals the picture as your classic money grabbing vixen, the wrinkle being she's completely genuinely insane. Some great trucking action in the first half replete with Bogie/Raft banter and overall the film just oozes all the class you would expect from a vintage Jack Warner production. Well worth a watch and you'll never look at a remote control garage door the same way again. Secret Beyond the Door - Michael Redgrave as a suspicious spouse with a collection of 'felicitous rooms' (AKA recreated murder scenes) - well, this would raise the old eyebrows as you bedded into your new family home. Has its moments but for me this is a bit of a plodder from Fritz Lang, more gothic melodrama than film noir, I give it a generous 7/10, mainly for the nice atmosphere and the one man trial dream sequence. You Only Live Once - Now this is top tier Lang, Henry Fonda unforgettable as a no-hope punk trying to go straight - I went into this knowing nothing about how the plot plays out and so should you - all I'II say is it's well worth the trip. Brighton Rock - dug this out in memory of old Sir Dickie - how brilliant is he as a complete sociopath? See also his John Christie. Once I got used to the cor blimey guv accents I loved this film - it builds to a fantastic double whammy climax and has some indelible moments (the Ghost Train being my favourite) Where the Sidewalk Ends - I often find Dana Andrews a bit wooden (and drunk!) but he's perfect here as a corrupt cop sliding into a mire of his own making. The noir photography in this is superb, the city a shadowy sinister dreamscape, as it should be. T-Men - another essential Anthony Mann/John Alton Noir. Get past the jingoistic narration and plunge into a world of moral degradation. A proto Donnie Brasco but there's no kindly Al Pacino here, just a psychotic Charles McCraw and a neverending stream of scumbags from all strata of society. This film pulls no punches and has some gut punch scenes - I loved it - a high 8/10. |
| ||||
Quote:
__________________ |
| ||||
Quote:
|
| ||||
Quote:
|
| ||||
I don't disagree Paul W.S. Anderson is a filmmaker who has a lot to learn and what he did with Event Horizon in terms of pacing, atmosphere and maintaining tension could have been done a great deal better by someone like Ridley Scott or even Danny Boyle, whose Sunshine is a similar, but vastly superior film, but I still think Event Horizon is a solid sci-fi-horror.
__________________ |
| ||||
Quote:
|
Like this? Share it using the links below! |
| |