Jess Franco - Page 45

g053584398 · #**441** 24th July 2018, 01:01 PM

Quote:

Originally Posted by Demoncrat

Yes, jailing people for distributing films and the like. But that report shows again the virulent snobbery of that slimy Fer-man. Salo is awash with sexual sadism .... but that got a pass as thicko oiks wouldn't watch a subtitled film. Or so he thought .....

. It's fun to watch certain idiots on a other social media site rushing to buy BDs of these 'notorious' films

...then complaining when theyve watched say, Dont Go In The Woods

. Do your homework kids!!!

There was, without question, one set of rules for films aimed at the working class audience and another set for films intended for the middle class. I believe that mindset still exists, albeit to a far less significant degree, in the BBFC even today.

As for Don't Go In the Woods, what a terrible film!

Paul Zombie · #**442** 24th July 2018, 01:24 PM

i remember having too watch poor quality vhs with dutch subtitles in those days, although i did have a lot of originals as well that my dad bought for me from video shops who used too keep all there banned films in the back.
also my milkman ran a pirate video supply as well.

Rik · #**443** 21st September 2018, 09:27 AM

NEWSFLASH! NEWSFLASH! NEWSFLASH!
Flowers of Perversion
The Delirious Cinema of Jesús Franco, Volume Two
By Stephen Thrower
HB 512pp
240mm x 269mm
£45.00 / £65
520 images, full colour throughout
ISBN: 9781907222603
Available in mid-November in Standard and Collectors’ Editions. The Collectors’ Edition of 500 copies is signed and numbered by Stephen Thrower and features specially designed boards, a different dust jacket image, a set of colour postcards, and…
The Sinister Case of Dr. Franco
A 100 page, hardbound book, featuring a facsimile of items left behind at Hotel Quetzal in Southern France during the shooting of Mandinga in 1975. Jess and Lina Romay left the hotel in a hurry abandoning a suitcase containing numerous script treatments, story outlines and poster ideas, all of which are reproduced, annotated and made public here for the first time. This is a unique opportunity to own a piece of cinematic history and will not be repeated. This one-off publication presents a detailed cross-section of Jess Franco’s seething imagination and hectic filming schedule at the crest of his career.
ABOUT THE BOOK
This second volume in Stephen Thrower’s monumental study of Jess Franco’s cinematic delirium covers the years from 1975 to his death in 2013.
Jesús “Jess” Franco is an iconic figure in world cinema. His sexually charged, fearlessly personal style of filmmaking has never been in vogue with mainstream critics, but for lovers of the strange and sado-erotic he is a magician, spinning his unique and disturbing dream worlds from the cheapest of budgets.
Stephen Thrower has devoted many years to examining each and every known Franco film, second only to the maestro himself. This book—the second in a two-volume set—delves into the latter half of Franco’s career, covering films that have never received critical appraisal before, as well as exclusive interviews with Franco collaborators including Antonio Mayans, Juan Soler, Katja Bienert and Monica Swinn.
In the world of Jess Franco freedom was the key, and he pushed at the boundaries of taste and censorship throughout an astonishingly varied career spanning sixty years. The director of more than 180 films, at his most prolific he worked in a supercharged frenzy that yielded as many as twelve titles per year, making him one of the most generative auteurs of all time.
Franco’s taste for the sexy and horrific, his lifelong obsession with the Marquis De Sade, and his roving hand-held camera style launched a whole new strain of erotic cinema. Disturbing, exciting, and defiantly avant-garde, films such as Shining Sex, Barbed Wire Dolls, Ilsa The Wicked Warden and Bloody Moon are among the jewels of European horror, while a plethora of multiple versions, re-edits and echoes of earlier works turn the Franco experience into a dizzying hall of mirrors, further entrancing the viewer who dares enter Franco’s domain.
Thrower shines a light into the darkest corners of the Franco filmography and uncovers previously unknown and unsuspected facts about their casts, crews, and production histories.
Unparalleled in scope and ambition, Flowers of Perversion brings the second half of Jess Franco’s career into focus with a landmark study that aims to provide the definitive assessment of his labyrinthine film universe.
PRE-ORDER AT Flowers of Perversion | Strange Attractor
(Murderous Passions, the first volume of this set, will be reprinted in early 2019 in full colour.)