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  #351  
Old 22nd July 2016, 06:33 AM
Susan Foreman's Avatar
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Location: Childhood home of Billy Idol - Orpington
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In 2002, Alice released his 22nd album. 'Dragontown' is another concept album, and a direct sequel to the previous release. 'Dragontown' is described as being the worst place on 'Brutal Planet'. Again, the lyrics on the album were praised by Doug Van Pelt, from the alternative Christian music-oriented HM Magazine, who likened Alice to C.S. Lewis, the author of 'The Chronicles Of Narnia' (and born again Christain), stating that he 'grabs the devil's microphone and attempts to spill his guts and reveal his wicked schemes.'

The band used were constant throughout the entire album

Alice Cooper - Vocals
Ryan Roxie - Guitar
Tim Pierce - Guitar
Greg Smith - Bass
Kenny Aronoff - Drums
Bob Marlette - Rhythm Guitar, Bass, Keyboards

Producer - Bob Marlette

For possibly the first time, all the songs on the album were written by the same writers - Alice Cooper and Bob Marlette. This gave a consistency to the record

The opening track is entitled 'Triggerman', and it is a well-paced, guitar-heavy song with a good riff and a very catchy vocal melody

01/12 - Triggerman (Cooper, Marlette)



"I ain't got a name, I don't gotta face
No fingerprints or DNA
I ain't got no eyes, I don't got a tongue
But I know what's going on, I'm deaf and dumb

I'm pure non-entity
Don't even look for me
I watch you when you sleep

I am the triggerman
I am the underhand
I'll keep you on your knees
I am the brain police
I am the triggerman
I am the underhand
I'm full of dirty tricks
I'm twice as smart and certainly twice as sick

I am always out of sight, a shadow in the mist
I don't need no alibi, 'cause I don't exist

I'm pure non-entity
Don't even look for me
I watch you when you sleep

I am the triggerman
I am the underhand
I'll keep you on your knees
I am the brain police
I am the triggerman
I am the underhand
I'm full of dirty tricks
I'm twice as smart and certainly twice as sick

He's sick, he's sick, he's really, really sick
He's sick, he's sick, he's really, really sick
He`s really really sick, he`s sick, he`s sick
He`s really really sick

I'm pure non-entity
Don't even look for me
I watch you when you sleep

I am the triggerman
I am the underhand
I'll keep you on your knees
I am the brain police
I am the triggerman
I am the underhand
I'm full of dirty tricks
I'm twice as smart and certainly twice as sick

He's sick, he's sick, he's really, really sick
He's sick, he's sick, he's really, really sick
He's sick, he's sick, he's really, really sick
He's sick, he's really, really sick

He's sick"


This is followed by 'Deeper', which is a slower, 'chugging' metal song. Dark and depressing it might be, but it is also very atmospheric.

02/12 - Deeper (Cooper, Marlette)



"We must complete the trip, try not to lose your grip
No sight of solid ground and never look straight down

Deeper, deeper, deeper, deeper

Your claustrophobic brain sucking you down the drain
The walls are closing in, the air is getting thin

The elevator broke, it went right through the floor
It left a burning hole, down and down and down we go
We're in a deadly spin, hating this spin we're in
We're helpless, panic grows, down and down and down we go

Daylight is at an end, you'll never see again
You'll soon embrace the sight, this cold eternal light

The elevator broke, it went right through the floor
It left a burning hole, down and down and down we go
We're in a deadly spin, hating this spin we're in
Our helpless panic grows, down and down and down we go

The elevator broke, it went right through the floor
It left a burning hole, down and down and down we go
We're in a deadly spin, hating this spin we're in
Our helpless panic grows, down and down and down we go

The elevator broke, it went right through the floor
It left a burning hole, down and down and down we go
We're in a deadly spin, hating this spin we're in
Our helpless panic grows, down and down and down we go"
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  #352  
Old 23rd July 2016, 06:51 AM
Susan Foreman's Avatar
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The album's title track, 'Dragontown', is another slow and atmospheric song. It has a catchy chorus with a very convincing 'evil' vocal performance from Alice. Musically, it has some subtle and weird Middle-East sounding instrumentation in the background

03/12 - Dragontown (Cooper, Marlette)



"Well, here you are lying bleeding on a grimy street
See the broken glass sparkling darkly as it cuts your feet
Smell the rotting stench, the rancid odor of old cantonese
Feel the toxic flames all around you, you can hardly breathe
Come with me

Come on. I've got something to show you
Come on. You thought that it was over
Come on. You're really gonna love this
Come on. Come on. Come on. Come on. Come on.

We can dig you a hole deep in the ground
Bury your soul down in Dragontown
We'll be lower than low, spiralin' down
Far as you want to go, down in Dragontown

Open any door, remember everyone you met before
Oh. There's a wicked young man, cooking slowly the frying pan
And our family of bones are back together sleeping all alone
Then there's Alice, dear, and all the little things that got him here
Now you're here

Come on. I've got something to show you
Come on. You thought that it was over
Come on. You're really gonna love this
Come on. Come on. Come on. Come on. Come on.

We can dig you a hole deep in the ground
Bury your soul down in Dragontown
We'll be lower than low, spiralin' down
Far as you want to go down in Dragontown

We can dig you a hole deep in the ground
Bury your soul down in Dragontown
We'll be lower than low, spiralin' down
Far as you want to go down in Dragontown

We can dig you a hole deep in the ground
Bury your soul down in Dragontown
We'll be lower than low, spiralin' down
Far as you want to go down in Dragontown"


'Sex, Death And Money' is a good song. It's evil, sinister and creepy with a menacing drum rhythm and bass pattern. However, for me it's let down by the heavy distorted guitar chords - it works better when it's picking out notes during the chorus

04/12 - Sex, Death And Money (Cooper, Marlette)



"Sex, death sex death sex death...

When I go to the show all I see on the screen is a stream of pure vulgarity
I wrote down a note, I complained for a day to the House of Representatives
They laughed in my face, they said "Son, you're a one-in-a-million minority"
The name of the game is to titillate the brain, stimulate the immorality

I was so offended as I sat for three hours
It was mental cruelty, I was so shocked
Just a little more flesh
Just a little more blood
A Little closer to the edge
A little deeper in the mud
I'll never be the same

Sex, death and money, sonny, makes this wicked world go round
Sex, death and money, it's the Gospel here in Dragontown
Sex, death and money, honey, grease the wheels and make them fly
Sex, death and money, sonny, that is why we all are gonna fry

Stuck my nose in the door, ended up on the floor in the middle of an nudie show
She danced on my lap, acoupla hundred dollars later I was up on a morals rap

I was so offended as I sat for three hours
It was mental cruelty, I was so shocked
Just a little more flesh
Just a little more blood
A Little closer to the edge
A little deeper in the mud
I'll never be the same

Sex, death and money, honey, grease the wheels and make them fly
Sex, death and money, sonny, that is why we all are gonna..
That is why we all are gonna fry
That is why we all are gonna fry
(sex, death, sex, death,sex, death...)

Sex, death and money, it's the Gospel here in Dragontown
Sex, death and money, honey, that is why we all are gonna
That is why we all are gonna fry
(sex, death, sex, death, sex, death, sex..)"
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  #353  
Old 24th July 2016, 05:40 AM
Susan Foreman's Avatar
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Join Date: Feb 2011
Location: Childhood home of Billy Idol - Orpington
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'Fantasy Man' is a critique of traditional gender roles. It's a catchy song, and the lyrics are amusing.

05/12 - Fantasy Man (Cooper, Marlette)



"I don't drink tea or white chablis
I sit around and watch tv
Don't send flowers or take showers
But I'll be there to pull your weeds

Oh yeah

I don't read books, I don't french cook
Or stroll around in galleries
I hate opera, I hate Oprah
Don't fill my head with poetry

You just want to squeeze my masculinity
Why can't you leave it alone

Hey, hey I ain't gonna change
Hey, hey don't you love it this way
Hey, hey I am what I am
So please understand, I'm not you fantasy man

I don't do dishes and I'm suspicious
Of any grown-up man who does
I'm homophobic, don't do aerobics
Just lay around and catch a buzz

You just want to squeeze my masculinity
Why can't you leave it alone

Hey, hey I ain't gonna change
Hey, hey don't you love it this way
Hey, hey I am what I am
So please understand
I'm not you fantasy man
Hey, hey I ain't gonna change
Hey, hey don't you love me this way
Hey, hey I am what I am
So please understand
I'm not your fantasy man
hey
hey hey
hey
hey hey

You just want to squeeze my masculinity
Why can't you leave it alone

Hey, hey I ain't gonna change
Hey, hey don't you love me this way
Hey, hey I am what I am
So please understand
I'm not you fantasy man

Hey, hey I ain't gonna change
Hey, hey don't you love me this way
Hey, hey I am what I am
So please understand
I'm not you fantasy man"


The final song on the first side is 'Somewhere In The Jungle', which brings things back to reality - the song, similar to 'Pick Up The Bones' from 'Brutal Planet', is about the genocide in Rwanda. It has a catchy melody and riff, and the guitars are dark, but it flows really well. The sinister atmosphere gives it that extra something!

06/12 - Somewhere In The Jungle (Cooper, Marlette)



"There it stands way up high
A million bodies piled to the sky
Arms and legs, feet and hands
Impossible to understand

Countless heads, ears and eyes
Never hear, never cry
Tribal chants, tribal war
Tribal death, tribal gore

And the scavengers are feeding
'Cause the killing fields are bleeding (somewhere)
Not a single soul is breathing
'Cause the Serengetti's bleedin' (somewhere)
And the scavengers are feeding
'Cause the killing fields are bleeding (the rivers will flow with blood)
Not a single soul is breathing
'Cause the Serengetti's bleedin'
Listen somewhere in the jungle
You can hear the devil laughing
Somewhere

African genocide
Brother kill brother, side by side
Wild animals show their teeth
And run away in disbelief

And the scavengers are feeding
'Cause the killing fields are bleeding (somewhere)
Not a single soul is breathing
'Cause the Serengetti's bleedin' (somewhere)
And the scavengers are feeding
'Cause the killing fields are bleeding (the rivers will flow with blood)
Not a single soul is breathing
'Cause the Serengetti's bleedin' (the mothers gonna cry)
Listen somewhere in the jungle
You can hear the devil laughing
Somewhere

(Somewhere)
Not a single soul is breathing
(the rivers will flow with blood)
'Cause the Serengetti's bleedin'
And the scavengers are feeding
(the mothers will cry their tears)
'Cause the killing fields are bleeding
Not a single soul is breathing
(they watch their sons die)
'Cause the Serengetti's bleedin'
Listen somewhere in the jungle
You can hear the devil laughing
Somewhere

(Somewhere)
Not a single soul is breathing
(the rivers will flow with blood)
'Cause the Serengetti's bleedin'
And the scavengers are feeding
(the mothers will cry their tears)
'Cause the killing fields are bleeding
Not a single soul is breathing
(they watch their sons die)
'Cause the Serengetti's bleedin'
Listen somewhere in the jungle
You can hear the devil laughing
Somewhere"
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  #354  
Old 25th July 2016, 06:35 AM
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'Disgraceland', which opens the second side of the record, is a 1950's pastiche rock and roll song, similar to the 1972 song 'Slick Black Limosine'. Vocally, Alice does his best Elvis impression while singing the song. Lyrically, it's very amusing, unless you are a fan of Elvis, and then it is highly distasteful!

As a joke song, the melding of Elvis and hard rock music works better than it did for Dread Zeppelin!

07/12 - Disgraceland (Cooper, Marlette)



"I wanna tell you a story, happened long ago
About a redneck boy down from tupelo
I got the slick black hair, I played a rock guitar
I liked to shake my hips, man, then i went too far

He ate his weight in country ham
Killed on pills and woke in disgraceland
Disgraceland
Disgraceland
Disgraceland

I had a lot of girls, yeah, I had a lot of guns
When they found me dead, ow, the whole world was stunned
Went to the pearly gates, said, "I'm the hippest thing"
And Peter said "Well son, we already got ourselves a king"

He lived on southern deep-fried spam,
Killed on pills and woke in disgraceland
Disgraceland
Disgraceland
Disgraceland

He finished his short life sweaty and bloated and stoned
(A-Hey-Hey)
He ruled his domain and he died on the throne
No "Yes-Men", no colonel, he went... ...all alone...

(Hey, man, that looks like me down there on the floor)

I heard the devil cry real loud and clear
"You were the big man, there, hejust a sideman here
Well, I know your face, and I've heard your name
Looks like heaven's loss, gonna be my gain"
(I've got plans for you, man)

He ate his weight in country ham
Killed on pills and woke in disgraceland
Disgraceland
Disgraceland
Disgraceland
Disgraceland
Disgraceland
Disgraceland
Disgraceland

Well, I woke up, right here in disgraceland
Disgraceland, thank you , thank you very much.."


Some people have read the following song, 'Sister Sara', as being a sequel to 'Nurse Rozetta' from the 'From The Inside' Album, but I don't see it.

It's a strange song. The majority of the song is industrial metal, which for me doesn't work, but then we get to the chorus, which is quieter and more atmospheric, and this works perfectly. Then we get to Alice's vocal performance. Well, he has done rock; he has done metal; he has done ballads; he's even done disco for Goddess sake.

Why shouldn't he do rap?

As a gimmick, it is fun, but I don't want to listen to Alice Cooper and imagine the singer with a VW badge around his neck, and the band in shorts, prancing around the stage like Metallica bassist Robert Trujillo (which is the picture in my head as I listen to this!)

The female vocals are provided by Giovanna Moraga Clayton, who (as a musician) has played with the Los Angeles Chamber Orchestra, The Hollywood Bowl Orchestra and the New West and Santa Barbara symphonies.

08/12 - Sister Sara (Cooper, Marlette)



"Now I don't know but I've been told
There's a nun having fun and she lost her soul
She's got cash, she got laid
Now she's dealin' with me and she gonna get paid
She got caught with the bishop
She got caught with the abbot
Even cardinal sin tried to feed her habit
Now we get whores and pimps and skanks
But when your judgement came down even he gave thanks

[choir]
Whatever happened to me
Can't remember my name
Flying so high on angelic wings
Flew too close to the flame

Sister Sara
It's your penalty for eternity
(for eternity)
Did you think that you were saved
(for eternity)
You forget your old identity who you used to be
(for eter... sara)
Sister Sara
So depraved

Oh, come O ye faithless, get in line
You're gonna drown in the water, turned to wine
And you're all going to wallow in your sin and shame
You had every opportunity to call His name
Don't look surprised, don't be in shock
You'll be a lovely little demon in my private stock
I'm just doing my job to pull you down
'Cause it's a one way ticket down to Dragontown

(Whatever happened to me)
You got caught in my web
(Can't remember my name)
You made your own bed here
(Flying so high on angelic wings)
And now you must keep me well fed
(Flew too close to the flame)
You're mine, too bad,
You're here for me, you're just here for me

Sister Sara
It's your penalty for eternity
(for eternity)
Did you think that you were saved
(for eternity)
You forget your old identity who you used to be
(for eter... sara)
Sister Sara
So depraved

[choir] Moment to moment, hour to hour, for ever and ever
[Alice] Time after time after time after time after time

(for eternity)
Sister Sara
It's your penalty for eternity
(for eternity)
Did you think that you were saved
(for eternity)
You forget your old identity who you used to be
(for eter... sara)
Sister Sara
So depraved"
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  #355  
Old 27th July 2016, 05:57 AM
Susan Foreman's Avatar
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Join Date: Feb 2011
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'Every Woman Has A Name' is the ballad of the album. It's another take on 'Only Women Bleed'! Musically, it contains a string arrangement

09/12 - Every Woman Has A Name (Cooper, Marlette)



"You were so beautiful
Like a child, young and full of life
Seems a hundred years ago
You saw everything
So much more tragedy than good
You even watched the world grow cold

And even when your world was shakin'
Even when your breath was taken
Even when your blue eyes turned to gray

Small town debutantes and queens
Every woman has a name
Cocktail waitresses with dreams
Every woman has a name
And every girl whose love survives
A broken heart to stay alive
You signed your picture in the frame
Every woman has a name

You had your love affair
Some were perfect but most of them were pain
Huh, seems a hundred years ago
It took you to the highest hill
Left you standing frozen in the rain
But you still feel the afterglow

And even when your world was shakin'
Even when your breath was taken
Even when your blue eyes turned to gray

Housewives cryin' on the phone
Every woman has a name
Sacred sisters all alone
Every woman has a name
And even on the coldest day
When the kids are gone, moved away
It's lonely now
There's no one there to hold your hand and play

See it written on the grave
Every woman has a name"


There is a return to the industrial noise with the next song, 'I Just Wanna Be God', which is sang from the perspective of Satan! Musically it's very 'thick', and it has a fun vocal performance from Alice

The video is a fan-made thing, featuring the character of Bakura from the Anime/Manga Yu-Gi-Oh

10/12 - I Just Wanna Be God (Cooper, Marlette)



"I'm in control, I got a bulletproof soul
And I'm full of self-esteem
I invented myself with no one's help
I'm a prototype supreme
I sit on my private throne
And run my lifestyle all alone
Me, myself and I agree
We don't need nobody else

I never learned to bow, bend or crawl
To any known authority
I really want to build my statue tall
That's all

I'm just trying to be God
I only wanna be God
I just wanna be God
Why can't I be God

I got no time to take advice
I want to gamble with my eternity with loaded dice
I don't need a preacher in my face
When I'm the omnipresent ruler of the human race
Ain't gonna spend my life being no one's fool
I was born to rock and I was born to rule
But if I'm wrong on judgement day
I'm royally screwed with hell to pay

I never learned to bow, bend or crawl
To any known authority
I really want to build my statue tall
That's all

I'm just trying to be God
I only wanna be God
I just wanna be God
Why can't I be God
I'm just trying to be God
I only wanna be God
I just wanna be God
Why can't I be God

I'm just trying to be God
I only wanna be God
I just wanna be God
Why can't I be God
I'm just trying to be God
I only wanna be God
I just wanna be God
Why can't I be God"
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  #356  
Old 29th July 2016, 06:48 AM
Susan Foreman's Avatar
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Thankfully, the distortion pedals were turned off for the penultimate song on the album, 'It's Much Too Late'. Instead of the industrial noise that has been rampant during 'Dragontown', this has more of a slight 60's psychedelic feel and, to my mind, it works much better for it. The lyrics are funny, and Alice sings it straight - it is not an evil sounding song, and because of that, it is one of the best songs on the album

11/12 - It's Much Too Late (Cooper/Marlette)



"I never kicked a dog, a child or my wife
I never looked at pornography
I swear it on my holy saint mother's life
But somehow she's down here with me

The road to hell is littered with nice guys with good intentions
But once you're there, you're there, it's much too late
I can cry and scream it's just not fair
To leave me here like you don't care
There must be some mistake up there in heaven

Now it's much too late
My time has passed away
All my plans and dreams have all ended
Now it's much too late
To try and plead my case
And I don't know the God I've offended
It's too late

I never stole a thing, a toy or a kiss
My conscience is a clear as can be
And when I was a teen, all the sex that I missed
Was an abstinence blessing to me

The road to hell is littered with nice guys with good intentions
But once you're there, you're there, it's much too late
I can cry and scream it's just not fair
To leave me here like you don't care
There must be some mistake up there in heaven

Now it's much too late
My time has passed away
All my plans and dreams have all ended
Now it's much too late
To try and plead my case
And I don't know the God I've offended
It's too late

Now it's much too late
My time has passed away
All my plans and dreams have all ended
Now it's much too late
To try and plead my case
And I don't know the God I've offended
It's too late
It's much too late
My time has passed away
All my plans and dreams have all ended
Now it's much too late
To try and plead my case
And I don't know the God I've offended
It's too late
It's much to late"


The final song, 'The Sentinel' returns to teh industrial sound. It is another 'religious' song, with Alice taking the role of Satan. The atmosphere is dark and sinister, but it is also multi-layered, with a good melody. Vocally, it's another convincing and evil performance from Alice. The Coop. Instead of the industrial noise that has been rampant during 'Dragontown', this has more of a slight 60's psychedelic feel and, to my mind, it works much better for it. The lyrics are funny, and Alice sings it straight - it is not an evil sounding song, and because of that, it is one of the best songs on the album

12/12 - The Sentinel (Cooper/Marlette)



"I'm not a Buddha boy
I'm not a Muslim man
I'm not a Christian or a Jew
I'm not a Mormon freak
I'm not a Catholic geek
And I'm nothing at all like you

My mind, my heart, my soul is calm
While I sit here soldering my c-2 bomb
Got some wires crossed
In my twisted head
Connect the green wire here or was it red?

'Cause it's my fate I operate on hate
I go by many other names but now...

I am the sentinel
I want the world to know
I'm sending you all to hell
I'm tired and I'm wired here to blow

There's something disturbing going on in my turban
I'm home, home on de-range
I feel my meditation so deep within
While my medication's kicking in

'Cause it's my fate
I operate on hate hate hate hate hate hate hate hate
I go by many other names but now....

I am the sentinel
I want the world to know
I'm sending you all to hell
I'm tired and I'm wired here to blow

I am the sentinel
I want the world to know
I'm sending you all to hell
I'm tired and I'm wired here to blow"


As seems to be standard for this era, the associated tour, 'Descent Into Dragontown', was split into two legs. The first part, subtitled 'Phase One', was the American tour and it ran between October 1st 2001 and November 9th 2001.

The band consisted of:

Alice Cooper - Vocals
Ryan Roxie - Guitar
Eric Dover - Guitar
Greg Smith - Bass
Eric Singer - Drums
Teddy `Zigzag` Andreadis - Keyboards
Calico Cooper - Dancer

and the setlist for this part was:
  • Sex Death And Money/Brutal Planet/Dragontown(medley)
  • Sanctuary
  • Eighteen
  • Welcome To My Nightmare
  • Go To Hell
  • Billion Dollar Babies
  • Teenage Frankenstein
  • Triggerman
  • Nurse Rozetta
  • Dead Babies
  • Ballad Of Dwight Fry
  • I Love The Dead/Devil`s Food/Black Widow - Instrumental
  • No More Mr Nice Guy
  • Is It My Body
  • Fantasy Man
  • Be My Lover
  • Lost In America
  • Every Woman Has A Name
  • Only Women Bleed
  • Poison
  • Under My Wheels
  • School`s Out
  • Elected
  • Fire
  • Department Of Youth

The second leg of the tour, 'Phase Two', ran between September 23rd 2002 - December 14th 2002, and started in America, before moving to Russia and Europe. The UK dates were between November 16th and November 26th, and visited London (Wembley), Brighton, Bournemouth, Manchester, Newcastle, Glasgow, Birmingham, Cardiff and Sheffield.

By the time the tour had reached Newcastle, Alice was very unwell, and his voice was suffering

The touring band for Phase Two consisted of:

Alice Cooper - Vocals
Pete Friesen - Guitar
Eric Dover - Guitar
Chuck Wright - Bass
Eric Singer - Drums
Teddy `Zigzag` Andreadis- Keyboards
Calico Cooper - Dancer

The basic setlist for Phase Two was:
  • Sex Death And Money/Brutal Planet/Dragontown(medley)
  • Sanctuary
  • Eighteen
  • Welcome To My Nightmare
  • Go To Hell
  • Billion Dollar Babies
  • Feed My Frankenstein
  • Wicked Young Man
  • Nurse Rozetta
  • Dead Babies
  • Steven (part only)
  • Ballad Of Dwight Fry
  • I Love The Dead/Devil`s Food/Black Widow - Instrumental
  • No More Mr Nice Guy
  • Is It My Body
  • Fantasy Man
  • Trash
  • Lost In America
  • I Never Cry (Dropped after Manchester due to Alice`s throat problems)
  • Only Women Bleed
  • Poison
  • Under My Wheels
  • School`s Out
  • Elected
  • Cold Ethyl
  • Department Of Youth

Originally, the UK dates was envisaged as being a normal Alice Cooper tour, with a single support band - The Wildhearts. However, it was 'hi-jacked', and changed into a touring, indoor version of the Castle Donington 'Monsters of Rock' Festival, featuring three support bands, a compare and a DJ. The Wildhearts were unhappy to discover that Thunder had been placed above them on the bill, and this resulted in them leaving the tour. Various other bands were announced as appearing, including Halford, LA Guns and Cinderella, before the final choice of The Quireboys and Dogs D'Amour was made. This led to several variations of posters and adverts and much confusion as to who was actually playing, with fans of the other bands arriving at the show only to discover, once inside that their band wasn`t playing!

There was no DVD released of this tour, however a special tour edition of 'Dragontown' was released during the UK dates. Limited to 7,500 copies, it contained the original album, and also a second album containing 'Can't Sleep, Clowns Will Eat Me' (from the Japanese release of 'Brutal Planet'), live versions of 'Go to Hell' and 'The Ballad of Dwight Fry' (from 'Brutally Live'), a remixed version of Brutal Planet and CD-Rom Videos for 'Gimme' and 'It's The Little Things'
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File Type: jpg Dragontown 1.jpg (28.2 KB, 2 views)
File Type: jpg Dragontown 2.jpg (15.0 KB, 2 views)
File Type: jpg Dragontown 3.jpg (16.7 KB, 2 views)
File Type: jpg Dragontown 4.jpg (15.9 KB, 2 views)
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  #357  
Old 31st July 2016, 06:39 AM
Susan Foreman's Avatar
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Location: Childhood home of Billy Idol - Orpington
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Despite not having any new material to promote, Alice was back out on the road, with a brand new show between 27th June - 8th August 2003. The tour, entitled 'The Bare Bones Tour' was just that - a minimal stage set featuring just amps and a backdrop showing the 'Love It To Death' eyes which sometimes had spotlights in the pupils., Few theatrics and just Alice rocking out. For the first time in 30 years, Alice appeared with the 'spider' eye make-up, last seen on the Killer tour

The band for this tour consisted of
Alice Cooper - Vocals
Guitars - Ryan Roxie
Guitar - Eric Dover
Bass - Chuck Garric
Drums - Eric Singer
Backing Vocals/Nurse - Calico Cooper

The setlist for this tour consisted of:
  • Hello Hooray
  • No More Mr. Nice Guy
  • Billion Dollar Babies
  • Long Way to Go
  • Public Animal
  • Be My Lover
  • Lost in America
  • Desperado
  • Serious
  • Eighteen
  • Halo of Flies
  • Welcome To My Nightmare
  • Cold Ethyl
  • Only Women Bleed
  • Ballad Of Dwight Fry
  • Guilty
  • School's Out
  • Poison
  • Elected
  • Disgraceland
  • Under My Wheels

Although not part of the actual tour, on the 27th June 2003, he appeared at the Del Mar Fair Festival in San Diego. This was a last minute show, where Alice had been asked to stand in for an unwell Meatloaf

The tour itself kicked off on 3rd July with a warm up show at the Wolverhampton City Hall, with support from The Darkness.

This was followed by an appearance at The Guildfest in Guildford on 4th July, where he appeared with Arthur Lee and Love, The Wildhearts, The Darkness and also Arthur Brown. For Alice, this show was a disaster and a fiasco. Guitarist Eric Dover`s gear wouldn't work with the in-house equipment, causing a 20 minute delay in the start of the show. The problems continued thoughout with Eric getting more and more frustrated, throwing down two guitars and pulling his amps over at the end of 'School's Out' in anger. To make matters worse the organisers had imposed an 11pm curfew, and had scheduled bands right up to that time. This meant Alice wasn't allowed to return for the normal encores ('Poison', 'Elected', 'Disgraceland' and 'Under My Wheels') resulting in a lot of disappointment from the crowd at missing some of the biggest hits.

5th July, the band appeared at the Graspop Festival in Belgium, playing a shorter set, lasting one hour and supporting Iron Maiden and then 6th July saw them back in England, playing at the King Docks in Liverpool as part of the Summer Pops Festival.

After that, they returned to the US, playing dates between 12th July - 8th August
Attached Images
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  #358  
Old 1st August 2016, 08:35 AM
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After the heavy industrial leanings of the previous two albums, Alice changed direction and headed back to the garage for a 'back-to-basics' album of good time hard rock. 'The Eyes Of Alice Cooper', released in 2003, was an album of three minute "hits" that contained songs that were written in the space of a week, and recorded as live

Working titles for the album included 'Spirits Rebellious', 'American Idle', 'Man Hole', 'Recipe For Disaster' and 'Man Of The Year'

The album was released with four different covers, each one featuring a different colour in Alice's eyes and the crescent around the 'A' in the title. These colours were blue, green, purple and red

The band used were constant throughout the entire album

Alice Cooper - Vocals
Guitars - Ryan Roxie
Guitars - Eric Dover
Bass - Chuck Garric
Drums - Eric Singer
Keyboards, Accordion & Percussion. - Teddy Zig Zag

Producer - Andrew 'Mudrock' Murdoch

This album begins with a hard-rock song called 'What Do You Want From Me' that sounds very much like the songs he used to write and perform in the early '70s. It's a good one, with a catchy vocal melody and loud guitar riffage

The co-writer is Mikal Reid, who had previously worked with Mick Jagger

01/13 - What Do You Want From Me (Cooper/Dover/Reid)



"I call you every hour on the telephone
I work my fingers right down to the bone
I even got you a chihuahua so you wouldn`t be alone
Got you you a trailer 'bout the size of Maine
Bought a mile of interstate in your name

I`ve given you everything
Baby what do you want from me!

I burned all my porno - 'cause you were PMS'n
You say it offends you - All that talking it never ends
Disconnected my X-Box and ditched all my friends
So you can go to the opera.
Dumped all my girlfriends - Even the dirty ones
You say they annoy you - they wanna destroy you
I`m givin` you everything
Baby what do you want from me!

Got you a picture you can put in a frame
Wearing a suit all check and lame
I even signed it at the bottom so you`d 'member my name
Took you to Target for a birthday meal
Got you an autographed buns of steel
So what a deal!
I`m givin` you everything
Baby what do you want from me!

Burned all my porno - 'cause you were PMS'n
You say it offends you - All that talking it never ends
Disconnected my X-Box and ditched all my friends
So you can go to the opera.
Dumped all my girlfriends - even the dirty ones
You say they annoy you - they wanna destroy you
I`m givin` you everything
Baby what do you want from me!

I give you everything
Zirconium diamond rings
I Gotcha LoJack for your pontiac
And some decals on your finger nails
And a a bass master, a Singing trout
And a TV and a CD
And a DVD from QVC
And baby what ya think of me!

Burned all my porno
You say it offends you
Disconnected my X-Box
Baby what do you want from me!
What do you want from me!
What do you want from me!"


After a good opening song, 'Between High School And Old School' is a bit of a disappointment. Musically it's fun, but it's a bit too pop-metal for my liking

The backing vocals are provided by Calico

02/13 - Between High School And Old School (Alice/Dover/Roxie)



"Hey Hey
Hey Hey
I guess I`m a loner I don`t fit in (No...)
I ain`t too comfortable in my skin (oh...)
An' I don`t play well with the others

I`m stuck somewhere between high school and old school
I can`t decide between my rules and your rules

Hey Hey
Hey Hey
Nobody wants me hanging round
Unless it`s from a tree in the middle of town
And I'm out of step with the others

I`m stuck somewhere between high school and old school
I can`t decide between my rules and your rules
I`m stuck somewhere between high school and old school
So I defy maybe all rules maybe no rules

My clothes don`t make me
My hair ain't cut right
And I don`t care much
No I don`t care at all

I guess my brain is out of synch, I think

I`m stuck somewhere between high school and old school
I can`t decide between my rules and your rules
I`m stuck somewhere between high school and old school
I can`t decide, I just can`t decide

Hey hey hey
hey hey hey
hey hey
Aw..."
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  #359  
Old 2nd August 2016, 06:43 AM
Susan Foreman's Avatar
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'Man Of The Year' is another fun song. It's more pop-metal, but it's better than the previous one. It has a good melody and funny lyrics, but I think it's over produced and too polished

Alice actually has played golf with the President, but that was a long time after this song had been written. Former Vice President Dan Quayle played at the 2005 Alice Cooper Golf Tournament and in 2012, during the Humana Challenge tournament, he played against former President Gerald Ford and former President Bill Clinton.

03/13 - Man Of The Year (Cooper/Dover/Roxie)



"I wake up every morning, Six o'clock, I`m right on time
I eat a low fat breakfast, I tie a perfect tie
I kiss the wife, I hug the kids, I pat the dogs and cats
I never lose anything, my car keys or my hat

'Cause I`m the man of the year
I`m the man of the year

I never cheat at finals, or miss a day at school
My urine tests are perfect, my prostate is a jewel

'Cause I`m the man of the year
I`m the man of the year
'Cause I`m the man of the year
I`m never, ever jealous
I'm never, ever cruel
I`m a graduate of Harvard
Where I never broke the rules

The queen made me a knight
The pope made me a saint
The president plays golf with me
I made Madonna faint

So why am I so lonely
Depressed and in despair
If I pull this trigger in my mouth will anybody care

It was the greatest funeral, I laid in perfect state
And later I will meet the lord, I bet he just can`t wait

To meet the man of the year
I`m the man of the year
Stand in line to meet the man
I`m the man, I`m the man, I`m the man"


'Novocaine' is another cute piece of pop-rock, but at at least the lyrics sound like like the Alice of old - evil, bad taste and nasty. Musically, however, it sounds like a 12-year old girls' idea of what a rock band should sound like. This is not a criticism, but at the same time, this is not Alice Cooper

04/13 - Novocaine (Alice/Dover/Roxie)



"When I was 10, fell out of bed
Got three stitches in my head
It hurt like hell
I saw the blood, I felt the pain
I'd like to feel it once again
'Cause I don’t feel it

Then I got stung, right on the face
I screamed and ran around the place
It hurt like hell
I swoll right up, I burned for days
I’d like to feel it once again

Cause when you touch me
When you hold me
When you kiss me
I don’t feel anything
When you touch me
When you hold me
When you kiss me
It’s just like Novocaine

I remember every cut and scrape
I’ve been numb so long
Something’s wrong
So I'll take anything

I slap my face, I pull my hair
Just to see if something’s there
It should hurt like hell
I miss the pinch, I miss the pain
That shock sensation in my brain

Cause when you touch me
When you hold me
When you kiss me
I don’t feel anything
When you touch me
When you hold me
When you kiss me
I don’t feel anything

When you touch me (when you touch me)
When you hold me (when you hold me)
When you kiss me
I don’t feel it
When you touch me (when you touch me)
When you hold me (when you hold me)
When you kiss me
It’s just like Novocaine
I don’t feel anything
I don’t feel it
I don’t feel it
I don’t feel it
Well, I don’t feel it
No, I don’t feel it
I don’t feel it"
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  #360  
Old 3rd August 2016, 04:44 AM
Susan Foreman's Avatar
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Location: Childhood home of Billy Idol - Orpington
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Despite the title, 'Bye Bye, Baby' is not a traditional ballad. Instead, it's a good, fast paced rocker that is very reminiscent of 70's-era Alice. It's as catchy as anything that they have ever recorded

Musically, there is something about this song that reminds me of the Rolling Stones number 'Live With Me'

05/13 - Bye Bye, baby (Cooper/Dover/Roxie)



"What`s wrong with you today
I could never tell
Got something drastic on your mind
I can smell the small

Honey what`s your trip today
Can`t look me in the eye
A couple thousand miles away
You took me by surprise

You left a message on the telephone
From New York City, your new home
You didn`t like the neighbourhood
You really hated Hollywood

You said
Bye bye baby
Bye bye girl
Bye bye baby
You`re in another world

You said my friends are boring
You said my house is small
You like it fifty stories high
You like livin' tall
You hate the L.A. freeways
You hate the L.A. smog
You hate the west coast phonies
You like the city dogs

I`m confused but I`m not mad
Said I`m the worst you`ve ever had
I ain`t delusional, or institutional
But I`m pretty sure I ain't that bad

I said
Bye bye baby
Bye bye girl
Bye bye baby
You`re in another world

I tried to reach you on your private line
You sure ain't calling mine
Now I`m sittin' here all alone
With a broken heart in three time zones

(Bye bye baby) Bye bye baby
(Bye bye girl) please answer your phone
(Bye bye baby) please check your email
(Bye bye girl) Why not your beeper
(Bye bye baby) Stick your head out the window
Oh... I`m mad as hell
Bye bye baby
Anyone at home?
Hello? Hello?
Anybody there?
Hello? Pick up?"


'Be With You Awhile', however, IS a traditional Alice ballad. Mind you, at least he's not trying to re-write 'Only Women Bleed' this time! Actually, it's a rather charming song.

It's been commented that this is what Radiohead would sound like if they had been recording with The Beatles circa the 'Magical Mystery Tour'!

06/13 - Be With You Awhile (Alice/Dover)



"I wish I could tell you something you didn`t know
I wish I could give you something you didn`t own
I wish I could tell you a joke to make you smile
And I could be with you awhile

Just wanna be that someone you weren`t looking for
Some nameless fascination that showed up at your door
And when you`re sad and blue my jokes still make you smile
And I could be with you awhile

I just want to take you somewhere you haven`t been
Find an old time movie where we don`t know the end
Lost in the radio, drive another mile
So I could be with you awhile

I just wanna be that someone you weren't looking for
Some nameless fascination that showed up at your door
And when you`re sad and blue my jokes still make you smile
And I could be with you awhile

Tired of serious conversation
Tangled up in situations
I feel so free 'cause you want nothing from me

Just wanna be that someone you weren't looking for
Some hopeless vagabond asleep there on your floor
And when you`re old and gray my jokes still make you smile
And I could be with you awhile
I Just wanna be that someone you weren't looking for
Some nameless fascination that showed up at your door
And when you`re old and gray my jokes still make you smile
And I could be with you awhile
I just want to be with you awhile
I just want to be with you awhile
I just want to be with you...."
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