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  #31  
Old 29th March 2012, 12:19 PM
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Blue Cheer!! Good man!!
Blue Cheer are, to coin American terminology, 'awesome'.
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  #32  
Old 29th March 2012, 12:24 PM
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Murder In My Heart For The Judge by Moby Grape



Deviation Street by The Deviants



Uncle Harry''s Last Freak Out by The Pink Fairies



Try A Little Sunshine by The Factory



Interview by Kevin Ayers



Butterfly by Can

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Old 29th March 2012, 12:37 PM
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Stranded by Khan



She's Moved On by Porcupine Tree



Dino's Song by Quicksilver Messenger Service



Terra Hidria by Hidria Spacefolk



Kaneh Bosm by Hidria Spacefolk

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  #34  
Old 29th March 2012, 01:29 PM
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Mole From The Ministry by The Dukes of Stratosphear



No Easy Way Down by The Rain Parade



Section 43 by Country Joe and the Fish



Not So Sweet Martha Lorraine by Country Joe and the Fish

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  #35  
Old 23rd August 2012, 02:29 AM
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Let's revitalise this thread with some Porcupine Tree...

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  #36  
Old 23rd August 2012, 02:34 AM
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  #37  
Old 12th March 2015, 09:18 AM
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Fascinating analysis/explanation of every song from the Pink Floyd album 'The Wall'

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Might help me to understand what it is actually all about!!!!!
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  #38  
Old 12th March 2015, 04:51 PM
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Fascinating analysis/explanation of every song from the Pink Floyd album 'The Wall'

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Might help me to understand what it is actually all about!!!!!
Wasn't the genesis of "the Wall" Waters' reaction to a fan at a gig??
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  #39  
Old 12th March 2015, 06:27 PM
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Wasn't the genesis of "the Wall" Waters' reaction to a fan at a gig??
Apparently so

From wikipedia:

"Pink Floyd's In the Flesh Tour, promoting the album 'Animals' was the first one where they played in large stadiums, and in July 1977 – on the final date at the Montreal Olympic Stadium – a small group of noisy and excited fans near the stage irritated Waters to such an extent that he spat at one of them. He was not the only band member who felt disaffected at the show, as guitarist David Gilmour refused to perform the band's usual encores ("Money" and "Us and Them"), leaving the rest of the band, with backup guitarist Snowy White, to improvise a slow, sad twelve-bar blues, which Waters described as "some music to go home to". Later that night, while returning from hospital to treat an injury sustained to his foot while play-fighting backstage with manager Steve O'Rourke, Waters spoke with music producer Bob Ezrin, and a friend of Ezrin's, a psychiatrist sharing their car, about the feelings of alienation he was experiencing on the tour. He articulated his desire to isolate himself by constructing a wall across the stage between the performers and the audience. He later said, "I loathed playing in stadiums ... I kept saying to people on that tour, 'I'm not really enjoying this ... there is something very wrong with this.'" While Gilmour and Wright were in France recording solo albums, and Nick Mason was busy producing Steve Hillage's Green, Waters began to write new material. The spitting incident became the starting point for a new concept, which explored the protagonist's self-imposed isolation after years of traumatic interactions with authority figures and the loss of his father as a young child. To execute The Wall concept was to attempt to analyse the performer's psychological separation from the audience, using a physical structure as a metaphorical and theatrical device"

The Wall - Wikipedia, the free encyclopedia
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  #40  
Old 13th March 2015, 09:54 PM
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RIP Daevid Allen.
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