#32
| ||||
| ||||
Murder In My Heart For The Judge by Moby Grape Deviation Street by The Deviants Uncle Harry''s Last Freak Out by The Pink Fairies Try A Little Sunshine by The Factory Interview by Kevin Ayers Butterfly by Can
__________________ Sent from my Hoover using the power of Uri Gellar |
#33
| ||||
| ||||
Stranded by Khan She's Moved On by Porcupine Tree Dino's Song by Quicksilver Messenger Service Terra Hidria by Hidria Spacefolk Kaneh Bosm by Hidria Spacefolk
__________________ Sent from my Hoover using the power of Uri Gellar |
#34
| ||||
| ||||
Mole From The Ministry by The Dukes of Stratosphear No Easy Way Down by The Rain Parade Section 43 by Country Joe and the Fish Not So Sweet Martha Lorraine by Country Joe and the Fish
__________________ Sent from my Hoover using the power of Uri Gellar |
#37
| ||||
| ||||
Fascinating analysis/explanation of every song from the Pink Floyd album 'The Wall' Home / Might help me to understand what it is actually all about!!!!!
__________________ People try to put us down Just because we get around Golly, Gee! it's wrong to be so guilty |
#38
| |||
| |||
Quote:
__________________ [SIGPIC][/SIGPIC] [B] "... the days ahead will be filled with struggle ... and coated in marzipan ... "[/B] |
#39
| ||||
| ||||
Quote:
From wikipedia: "Pink Floyd's In the Flesh Tour, promoting the album 'Animals' was the first one where they played in large stadiums, and in July 1977 – on the final date at the Montreal Olympic Stadium – a small group of noisy and excited fans near the stage irritated Waters to such an extent that he spat at one of them. He was not the only band member who felt disaffected at the show, as guitarist David Gilmour refused to perform the band's usual encores ("Money" and "Us and Them"), leaving the rest of the band, with backup guitarist Snowy White, to improvise a slow, sad twelve-bar blues, which Waters described as "some music to go home to". Later that night, while returning from hospital to treat an injury sustained to his foot while play-fighting backstage with manager Steve O'Rourke, Waters spoke with music producer Bob Ezrin, and a friend of Ezrin's, a psychiatrist sharing their car, about the feelings of alienation he was experiencing on the tour. He articulated his desire to isolate himself by constructing a wall across the stage between the performers and the audience. He later said, "I loathed playing in stadiums ... I kept saying to people on that tour, 'I'm not really enjoying this ... there is something very wrong with this.'" While Gilmour and Wright were in France recording solo albums, and Nick Mason was busy producing Steve Hillage's Green, Waters began to write new material. The spitting incident became the starting point for a new concept, which explored the protagonist's self-imposed isolation after years of traumatic interactions with authority figures and the loss of his father as a young child. To execute The Wall concept was to attempt to analyse the performer's psychological separation from the audience, using a physical structure as a metaphorical and theatrical device" The Wall - Wikipedia, the free encyclopedia
__________________ People try to put us down Just because we get around Golly, Gee! it's wrong to be so guilty |
Like this? Share it using the links below! |
| |