#911
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The Poe set is tempting but given that the Scream Universal Horrors is now up to volume 7 with Murders in the Rue Morgue also a standalone release I'm thinking it would be better to collect them? All new extras by the looks of things though...
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#912
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Anyone know if Eureka take payment up front on pre-orders? Sent from my SM-G960F using Tapatalk |
#913
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Mr. Vampire, YES!!!! |
#914
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Quote:
Bout time this film got a decent release
__________________ " I have seen trees that look like tortured souls" |
#915
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I don't understand why the Poe set isn't available on Amazon? Sent from my SM-G960F using Tapatalk |
#916
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Quote:
It is, I’ve just preordered it from there https://www.amazon.co.uk/Murders-Rue...s%2C176&sr=8-1
__________________ If I'm curt with you it's because time is a factor. I think fast, I talk fast and I need you guys to act fast if you wanna get out of this. So, pretty please... with sugar on top. Clean the ****ing car! |
#917
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Quote: Sent from my SM-G960F using Tapatalk |
#918
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Just watched the Eureka release of Woman in the Window.... AMAZING! A solid noir, I was hooked, recommended to all who have yet to see it. The commentary is a bit too academic for me (although still good), but the visual essay by David Cairns is solid! It's worth it for the film alone, and has made me want to collect Lang's other noir offerings. 9/10 |
#919
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coming soon New Announcement! Ishirō Honda’s THE H-MAN [Bijo to Ekitai-ningen] and BATTLE IN OUTER SPACE [Uchū Daisensō] will be released as part of The Masters of Cinema Series later this year, as a special edition two-disc Blu-ray release. Artwork TBC. More details to follow… |
#920
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'The Man Who Laughs' - Pre-order available from Amazon UK - £20.41 Release date: August 17 "One of the most visually striking of all the later silent films, The Man Who Laughs reunites German Expressionism director Paul Leni and cinematographer Gilbert Warrenton from their horror hit the previous year, The Cat and the Canary (1927). Both films are often considered to be among the earliest works of legendary horror classics from Universal Studios, yet the undeniably eerie The Man Who Laughs is more accurately described as a Gothic melodrama. However, its influence on the genre and the intensity of the imagery art director Charles Hall and makeup genius Jack Pierce would go on to define the look of those 1930s Universal horror landmarks have redefined it as an early horror classic, bolstered by one of the most memorable performances of the period. Adapted from the Victor Hugo novel, The Man Who Laughs is Gwynplaine (an extraordinary Conrad Veidt), a carnival sideshow performer in 17th-century England, his face mutilated into a permanent, ghoulish grin by his executed father's royal court enemies. Gwynplaine struggles through life with the blind Dea (Phantom of the Opera's Mary Philbin) as his companion though she is unable to see it, his disfigurement still causes Gwynplaine to believe he is unworthy of her love. But when his proper royal lineage becomes known by Queen Anne, Gwynplaine must choose between regaining a life of privilege, or embracing a new life of freedom with Dea. The startling makeup on Veidt was the acknowledged direct inspiration for The Joker in the 1940 Batman comic that introduced the character, and film versions of The Joker have been even more specific in their references to Leni's film. While The Man Who Laughs contains powerful elements of tragedy, doomed romance, and even swashbuckling swordplay, its influence on horror cinema is most pronounced. Leni died suddenly at the age of 44 a year after this film (with Veidt also unexpectedly passing away too soon in 1943), and The Man Who Laughs endures as one of the most haunting and stylish American silent films, made just as that era was coming to a close. The Masters of Cinema Series is proud to present the film on home video for the first time ever in the UK" BLU-RAY SPECIAL FEATURES:
__________________ People try to put us down Just because we get around Golly, Gee! it's wrong to be so guilty |
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