Quote:
Originally Posted by Nosferatu@Cult Labs  Dolby Digital tracks aren't lossless -- Dolby TrueHD and DTS-HD Master Audio encodings are lossless whilst LPCM provides uncompressed sound and is generally the best choice available. In a film like this with far from the most demanding soundtrack ever made, a DD 2.0 stereo track should be fine although a LPCM stereo option would have been ideal. Who knows, an LPCM track may be entirely redundant and a waste of money which is better spent on the HD remastering process. |
Ah, I see. Think it must've been the possibility of a LPCM track I was wondering about then; I'm not too well up the technical names for these things. Cheers for the info there btw Nos
