Quote:
Originally Posted by Michael Brooke  I deliberately didn't mention any single individual because you are by no means the only person to concoct elaborate theories about Arrow's acquisition strategy over the last three years or so. You'll see plenty of examples in this thread going back months.
But hardly anyone has brought up Arrow's post-2012 raising of technical standards in these discussions, even though it's clearly been one of the absolutely crucial factors in determining whether some titles are more releasable than others. |
I am not concocting elaborate theories. You seem to be treating me as an outsider instead of someone who worked for the same label you do. For six years. And frequently for free (at the start anyway). Please do not talk down to me. As an aside some of their acquisitions over the past three years have been on my advice or on my providing them with the rights holders. Unless I dreamed up that cheque I got for Nekromantik.
This aside, we are good. You know where I am if you ever need anything.