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Don't Look Now is a masterpiece of horror and is still an extremely effective genre piece now with Venice, the city of love, turned into something extremely creepy with numerous foreboding alleyways, bridges and waterways. Although the shock value is there on the first viewing, it is on the second and third that you really appreciate the writing and direction as you grow to understand how everything was almost predetermined, hence why the dwarf shook its head before... well, that would be a major spoiler, wouldn't it?! |
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Mind you it was fun ganging up on Nek tho for a while :lol: |
ha ha Nah I never knew the ending before I saw it! and I got someone else who dont like it on here ;) He shold post on here today :lol: |
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Mind you I love films that place atmosphere above all else (including plot & pacing e.g. Jean Rollin's GRAPES OF DEATH). I think Hammer did this the best. No matter the tight budgets, the bright red blood, the cartoon-like technicolour visuals, they always played it straight and the films were very atmospheric & gripping in a way that most horror movies produced today just never seem to equal... |
Guess we gotta agree to disagree. Changeling was also very very good. The atmosphere in that was and is still the best for a haunted house movie. |
With you there! THE CHANGELING was fantastic! (BD release anyone? :p) |
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i have yet to see the haunting. I know this wont be a popular opinion on here but what the heck :lol: I enjoyed the Stephen king mini series - Rose Red :tongue1: Yes its nowhere near as good as Poltergiest or Changeling but it was fun. |
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