BLACK

FROM THE CESAR AND BAFTA AWARD WINNING PRODUCER OF ‘A PROPHET’.

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The spirit of Blaxploitation classics such as ‘Super Fly’, ‘Shaft’ and ‘Truck Turner’ is given a modern day makeover in the action-thriller, Black, the directorial debut feature from Pierre Laffargue.

Produced by Marco Cherqui (A Prophet) and starring French hip-hop artist MC Jean Gab’1 (the District 13 movies), Carole Karemera (Sometimes In April), Francois Levantal (A Very Long Engagement; D’Artagnan’s Daughter) and Anton Yakovlev (The Beat That My Heart Skipped), Black is “a slick, fun, French heist flick” (Eye Weekly) with a supernatural sting in the tail that sees its eponymous protagonist and anti-hero travelling from Paris to West Africa and the Senegalese capital of Dakar in order to pull off the biggest score of his criminal career.

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When an armed raid on a security van in Paris goes horribly wrong, one of the gunmen, Black (MC Jean Gab’1), decides to lie low until the dust settles. That is until he receives a call from his cousin in Senegal supplying information about a stash of uncut diamonds being stored in a poorly guarded bank in Dakar. Eyeing the opportunity to make one final score that would set him up for life, Black travels to Africa and hooks up with a small group of fellow thieves who can help him pull off the heist.


Unfortunately, news of the diamonds and their insecure location travels fast and Black and his crew aren’t the only ones with their eyes on the prize. Also looking to get their hands on the jewels are a crazed, mercenary Russian general (Yakovlev), a ruthless, reptilian arms dealer (Levantal) and his African voodoo sorceress mistress (Mata Gabin), and a corrupt, female Interpol agent called Pamela (Karemera). As his team rapidly begins to fall apart in the ensuing melee to claim the diamonds first, Black once again finds himself alone, running and fighting for his life against seemingly unbeatable odds.

Described by Eye For Film as a “popcorn movie with oodles of French cool”, Black is a affectionate and worthy tribute to the Blaxploitation genre right down to its energetic soundtrack of funk, jazz and soul by artists such as the film’s star MC Jean Gab’1, Eumir Deodato, Fela Kuti, Brass Construction, Don Cherry and Roy Ayers.

Black (cert. 15) will be released on DVD (£15.99) and Blu-ray (£19.99) by Anchor Bay Entertainment on 14th February 2011.

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22 BULLETS comes to DVD & BLU-RAY : 31.01.2011

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Genre movies have a their fan bases because fans love to spot the repetition, stylistic tropes and plot devices that set the rules for whatever film niche they enjoy. This isn’t to run genre movies down… When it comes to movies I love a trawl through my favourite cinematic devices. Let’s face it, half the reason why Slasher movies work so well is that you can set your watch to the sleazy point of view camera work, shower scenes and summer camp skinny dipping. Slasher fans aren’t after originality, they want the genre tropes honed into a perfect, efficient fear machine.

The world of organized crime movies has it’s own style pointers and story rules and 22 BULLETS revels in many of them. Some viewers might hanker after a fresh new, hyper-realistic take on the everyday lives of small town hoods. People, let me guide you to Donnie Brasco, the ‘Blue Collar Joe’ of mob flicks. Personally, when I sit down to watch a tale of crime and criminals I want it to be operatically tragic. This is rule number one.

Gangster moves need revenge as a motivator, an older boss who doesn’t like the drug trade but risks his position because of this with younger, rising members of the organization. I need betrayal and conversations about honour among thieves and I want a cop on the trail with a grudging respect for his or her foes.

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I want a execution after a fine meal, so that the victim expires into his soup. I want one guy left alive to deliver a message. I want interrogations where the captive is tied to a chair and has a burlap sack over his head. I want everyone on the side of wrong to uphold the code of Omertà

The gangsters in my film think of their crimes as ‘The Work’ and their wives fool themselves into thinking their husbands are business men. At some point in the movie, will will visit a drug dealer who spends all day on the couch in his underwear and a silk kimono, scratching himself with the barrel of a gun.

At a given point in the movie, we get to the ‘everybody gets wacked’ montage, where various bodies will be shown in ditches and meat lockers while a plaintive song tinkles in the background. This will be especially tragic when we see the decaying body of the guy who was ‘getting out after one last job’.

When it comes time for the bosses reign to come to an end, his most trusted ally and friend since childhood, when they ran wild and loose on the streets together, will be the one who betrays him. When revenge comes, it will be swift and bloody, except for the guy tied to a chair with the burlap sack on his head… For him it’ll be slow and bloody.

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22 Bullets: Interviews

22 BULLETS: Like Leon or Not?

22 BULLETS: Press Release

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