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#401
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Everything stops for tea part 5! Christopher Lee as the Creature! ![]() ![]()
__________________ People try to put us down Just because we get around Golly, Gee! it's wrong to be so guilty |
#402
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Everything stops for... a fag! Presumably it's a Camel that Karloff is smoking during the making of 'The Mummy' (1932) ![]()
__________________ People try to put us down Just because we get around Golly, Gee! it's wrong to be so guilty |
#403
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"Going anywhere nice on holiday this year sir?" Christopher Lee in the make-up chair during the making of 'Rasputin: The Mad Monk' (1966) ![]()
__________________ People try to put us down Just because we get around Golly, Gee! it's wrong to be so guilty |
#404
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Everything stops for... a fag part 2 Diana Rigg on a break during the filming of the 1965 'Avengers' episode 'A Surfeit of H2O' ![]()
__________________ People try to put us down Just because we get around Golly, Gee! it's wrong to be so guilty |
#405
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![]() Elvis Presley and Carolyn Jones (who would later play Morticia Addams on television) during the making of 'King Creole' (1958) ![]()
__________________ People try to put us down Just because we get around Golly, Gee! it's wrong to be so guilty |
#406
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Hollywood maestro Jack Pierce applies a face piece to Claude Rains, during the making of 'The Phantom Of The Opera' (1943) ![]()
__________________ People try to put us down Just because we get around Golly, Gee! it's wrong to be so guilty |
#407
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![]() Deborah Joel as the 'skinless Julia' in 'Hellbound: Hellraiser 2' ![]()
__________________ People try to put us down Just because we get around Golly, Gee! it's wrong to be so guilty |
#408
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![]() Jack Arnold gives direction to Ricou Browning during the underwater filming of 'Revenge of the Creature' (1955) ![]()
__________________ People try to put us down Just because we get around Golly, Gee! it's wrong to be so guilty |
#409
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Before becoming an Oscar-winning director, James Cameron worked as a special-effects artist with Roger Corman's New World Pictures. When working on John Carpenters' 'Escape From New York' (1981), he provided some matte paintings for the film ![]()
__________________ People try to put us down Just because we get around Golly, Gee! it's wrong to be so guilty |
#410
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The laboratory set from 'Lifeforce' (1985) which permitted the dried up corpse to be operated with cables, allowing the scenes to be shot 'in-camera' without cutaways or CGI ![]()
__________________ People try to put us down Just because we get around Golly, Gee! it's wrong to be so guilty |
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