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  #13441  
Old 6th May 2012, 07:03 PM
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The parts with the real Bruce Lee in are fantastic but the way the film is padded out without Bruce Lee is not great at all. Personally i dont like his funeral footage being used in the film a bit disrespectful but thats just me.

There is no denying how iconic some parts of the film are like the yellow jump suit and the fight with Kareem Abdul-Jabbar. Half the film is superb the rest is not.
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  #13442  
Old 6th May 2012, 07:16 PM
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just finished Assault On Precinct 13, the Carpenter original and man does that film still totally hold up today. It's so freaking good, i hadn't seen it in years and can see where Carpenter got the characteristics of Plissken from (Napoleon Wilson).
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  #13443  
Old 6th May 2012, 07:17 PM
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After all these years, Assault is still my favourite Carpenter film.
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  #13444  
Old 6th May 2012, 07:18 PM
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Quote:
Originally Posted by bizarre_eye@Cult Labs View Post
After all these years, Assault is still my favourite Carpenter film.
im sticking with The Thing as my favourite Carpenter film but this comes very close.
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  #13445  
Old 6th May 2012, 07:43 PM
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May's viewings (so far):

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  #13446  
Old 6th May 2012, 08:54 PM
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Good stuff. Which Nosferatu was it – Murnau's 1922 masterpiece or Werner Hertzog's creditable 1979 version?
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  #13447  
Old 6th May 2012, 08:57 PM
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Quote:
Originally Posted by Nosferatu@Cult Labs View Post
Good stuff. Which Nosferatu was it – Murnau's 1922 masterpiece or Werner Hertzog's creditable 1979 version?
Murnau's version - now if only someone would remaster this for a Blu-ray release!
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  #13448  
Old 6th May 2012, 08:58 PM
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BE, what did you think to "Poor Pretty Eddie"?
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  #13449  
Old 6th May 2012, 08:59 PM
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21 Jump Street (2012)

*** out of ****

The Last House on the Left (2009)

*** out of ****

My Bloody Valentine (1981)

**** out of ****
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  #13450  
Old 6th May 2012, 09:06 PM
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Quote:
Originally Posted by Make Them Die Slowly View Post
BE, what did you think to "Poor Pretty Eddie"?
I enjoyed it - it's certainly heavily influenced by TCM, but the cast of colourful characters, and the use of camera cutaways, flashbacks, and slo-mo (these techniques embellish the film with a heavy sense of the surreal) aid to create something much more unique. It's not overly graphic or violent, but instead relies on implied menace, fear, and dread. Plus, it also stars 'Lurch' from the Addam's Family in a supporting role.
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