#5021
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I want a reshoot with MacBlaynes idea passing the torch rather than what we got would of been better.
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#5022
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Personally i'd like Halloween Part 9: Michael Lives as Tommy Jarvis and his mate resurrect Michael from his grave and he goes on an all new Haddonfield killing spree. Followed by Halloween Part 10: The New Blood in which Michael finds a new adversary in a girl with telekinetic powers. Finally Halloween Part 11: Michael takes Manhattan in which everyone in Haddonfield (Especially every single Strode) is dead so a bored Michael get's the Greyhound to Manhattan in order to continue his mayhem. Yes, i like my slasher films to be slasher films not kitchen sink dramas about child abuse and mental health issues. |
#5023
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Must admit from Mac's excellent write up it seems like they've now gone from rehashing set pieces from the films they wanted to pretend never happened (Halloween's 4-6) and have gone on to ripping off the first hour of Rob Zombie's Halloween in showing the almost apologetic explanation for why some kid goes on a killing spree. I've only seen the first terrible film but the film makers don't seem to have an original idea to their name. |
#5024
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I adore his sequel, which is probably the first anti-slasher. I believe it is an outstanding, artistic achievement . It is uncompromising, and kneels for nobody. That doesn't mean if you didn't like it, you don't get it. I said it was an uncompromising film, which means it's not surprising it repels as many as it does appeal to.
__________________ "We're outgunned, and undermanned. But, you know somethin'? We're gonna win. You know why? Superior attitude. Superior state of mind." |
#5025
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#5026
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Give it a few years (3 tops ) .... and .... Michelle Myers. Just you watch.
__________________ [SIGPIC][/SIGPIC] [B] "... the days ahead will be filled with struggle ... and coated in marzipan ... "[/B] |
#5027
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You know, going back to Halloween 4's ending, and expanding from there might be an interesting avenue.
__________________ "We're outgunned, and undermanned. But, you know somethin'? We're gonna win. You know why? Superior attitude. Superior state of mind." |
#5028
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ANTRUM – The whole meta- thing seems quite hard to pull off these days. ‘Antrum’ is bookended by documentary-style passages that tell us about a deadly film, one that kills anyone who sees it, and between these is aforementioned deadly film itself, a supposed Hungarian production from the seventies about a woman and her little brother wandering around some woods. I watched it and I really wondered why they’d bothered with the wraparound because the main course, ‘Antrum’s’ central section, is actually a genuinely unnerving, spookily oneiric horror experience that feels a bit like a more disconnected and self-consciously satanic echo of the days of (eg.) “Let’s Scare Jessica To Death”. It only falls down when it tries a little too hard – the preponderance of near-subliminal sigils that are always flashing up, the odd voice that sounds a bit mwah ha ha etc – but overall I was really impressed and affected, it really does have the air of a dream that’s about to turn very, very bad (and then does). The fake context doesn’t detract too much, just seems a little surplus to requirements when the film’s best work’s been done (although you never know – as one of the directors pithily put it, “Antrum reached peak popularity during a world pandemic… I think you could make the argument”!) Very interested to see what the makers do next.
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#5029
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It was certainly ambitious and very different. For those two reasons alone it should be commended. It needed more dead deer sex. |
#5030
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For me it was just one of those movies that work in that three-in-the-morning, between waking and sleeping kind of way... and I think I would've found it genuinely chilling had it not been for the obvious construction. Might even save my pennies and get the US blu ray if there's anything left after winter. |
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