#21
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I don't think that reflects badly on the film. It's others who have categorised it incorrectly. |
#22
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People also say Michele Soavi's Stagefright is giallo but its clearly a slasher.
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#25
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Cheers, Vincenzo. It was one that I was unable to see for years and when I finally caught it I was quite disappointed. Not really a fan of the Goblin score, either. |
#26
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Giallo is a difficult term and subject to individual interpretation. As the essay Vince posted a link to says, it's not really specific concrete genre. Film Noir presents similar difficulties. So too does the notion of "Gothic" as a genre... What is Giallo or Noir to one person is not to another. I find "Action" to be a similarly amorphous "genre". I have real trouble working out what is considered an "action film" rather than say SF, Western or Noir, or if things can be happily both or what...? This is why the concept of genre is fascinating and has intrigued European critics and filmmakers for decades I suppose! But we (well, I!) digress from Enzo! |
#27
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I agree woth you on that one. Its not one of their best scores.
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#28
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Don't forget all murder mysteries, no matter which country of origin, are referred to as gialli in Italy, so this is probably where it being labelled a giallo stems from. The film was obviously made to cash-in on the success of the slasher cycle of the 80s, but it certainly has elements that are synonymous with the giallo too.
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#29
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And of course to the books - John Dickson Carr, Agatha Christie, Rex Stout, Edgar Wallace (which brings us to the Krimi, of course!) and so on. Few of which have anything to do with the baroque slasher pics of the 60s-80s people usually think of... |
#30
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It does have elements of the giallo but for me it's a slasher. A very good one as well.
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