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  #21341  
Old 10th October 2022, 05:41 PM
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For some reason I got this urge to sway from side to side and swing my arms
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  #21342  
Old 10th October 2022, 07:11 PM
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This is the opener btw ....


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  #21343  
Old 11th October 2022, 09:53 AM
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Default New video

Guns N' Roses - You Could Be Mine (Live In New York, Ritz Theatre - May 16, 1991)



Use Your Illusion II (1991)

An electrifying new official video.
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  #21344  
Old 12th October 2022, 03:15 PM
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Guns N' Roses - You Could Be Mine (Live In New York, Ritz Theatre - May 16, 1991)



Use Your Illusion II (1991)

An electrifying new official video.
There is a new deluxe edition coming out in November, looks like both albums in one package and with some live tracks from the era
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  #21345  
Old 12th October 2022, 03:18 PM
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Default Cosmic Keys to my Creations and Times



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  #21346  
Old 13th October 2022, 02:24 AM
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Pat Butcher, the early years...

Pat_pam.jpeg
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  #21347  
Old 13th October 2022, 03:00 AM
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Pat Butcher, the early years...

Attachment 242639
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  #21348  
Old 25th October 2022, 03:33 PM
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Default The Cramps - Call of the Wighat



What the heck is a wighat anyway?
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  #21349  
Old 27th October 2022, 02:01 AM
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It wasn't just me listening to "War of the worlds" on repeat then.

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  #21350  
Old 27th October 2022, 05:06 PM
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Music to Scream to – The Hammer Horror Soundtracks

Curse of the Werewolf, The Brides of Dracula, Frankenstein and the Monster from Hell – films from the height of Hammer Films’ prolific output in the late 1950s and 1960s. Many of the horrific music soundtracks, carefully calibrated to set the pulse racing, were composed by leading British modernists of the late 20th century. Hammer’s music supervisor Philip Martell hired the brightest young avant-garde composers of the day – the likes of Malcolm Williamson (later Master of the Queen’s Music), Elisabeth Lutyens, Benjamin Frankel and Richard Rodney Bennett made a living scoring music to chill the bones to supplement their concert hall work.

Prising open Dracula’s coffin to unearth the story of Hammer’s modernist soundtracks, composer and pianist Neil Brand explores the nuts and bolts of scary music – how it is designed to psychologically unsettle us – and explores why avant-garde music is such a good fit for horror. On his journey into the abyss, Neil visits the haunted mansion where many of the Hammer classics were made, at Bray Studios in Berkshire, and gets the low-down from Hammer aficionado Wayne Kinsey, film music historian David Huckvale, composer Richard Rodney Bennett, and one of Hammer’s on-screen scream queens, actress Madeline Smith.

https://www.bbc.co.uk/sounds/play/m001df4s
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