#181
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I believe...... Quote:
I don't have any audio issues, but the image (on an even BR scale) is horrible. I had to play around with my picture settings to improve it. I have eight other ARROW blurays and this is the worst in regards to feature image. All the digital noise is distracting, and i'm watching this on a 32" LCD screen so i can imagine its more annoying on larger screens. When it comes to technical knowledge about transfers, i'm a little less than average so i can't give you more detailed comments about this transfer outside digital noise and a few other terms. "I may not know much about art, but i know what i like" Is that how it went? Looking forward to MANIC COP peace |
#182
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oh.... It took me 10mins into the film to forget all about the dodgy transfer |
#183
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Quote:
I know all about Italian dubbed to English! |
#184
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You done a bit of dubbing then?
__________________ Teddy, I'm a Scotch drinker - you know that. I just have the occasional brandy when I'm not drinking. |
#185
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Tenebrae – Technically Speaking
you know what i mean and Arrow ****ed up just read the review of Tenebre by Troy Howarth on avmaniacs and he seems to be right |
#186
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No,I was asking a serious question.
__________________ Teddy, I'm a Scotch drinker - you know that. I just have the occasional brandy when I'm not drinking. |
#187
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Hummmmm... out-of-synch vs. permanent subs. That´s easy! |
#188
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Arrow... Wild Side... Last edited by springjack; 12th July 2011 at 05:47 AM. |
#189
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Tenebrae – Technically Speaking
watching as many foreign films as I have and no doubt everyone on this site, the dubbing can be ok and acceptable, but with Argento films I watch them in Eng as preferred, NIKITA, ICHI THE KILLER, etc. alwayd subs. but the Yanks are among the worst for dubs to suit their crap translation are you getting out of the '****ed up by Arrow again' statement? they are being prone to these mistakes i count 4 of my faves being ruined to an extent and i won't buy these editions - Blue Underground are better |
#190
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A couple of days ago, I said that I would comment on the technical aspects of Arrow's Tenebrae release. (Note: I am an amateur when it comes to technical jargon – but I’ve watched a huge number of films. I am no high definition freak – but I enjoy good AV quality.) I use the KISS method – keep things short and simple. Here you are. TENEBRAE PQ: 7.5 out of 10 points. There are quite a few visual merits of this Arrow release. Sharpness and contrast are not perfect, but nothing to worry about either - it's not a movie from 2011. The colours look great – natural skin tones, no colour casts. The biggest pro of this release: its brightness. Luciano Tovoli, the film’s cinematographer, once stated that Argento wanted Tenebrae to look very clean and bright (see booklet for more info) – maybe Dario wanted a contrast to the film’s title? However, that’s what you get: a bright picture, but still with a natural look. I sometimes change the settings of my TV in order to improve the picture - this was not necessary with this release. So why only 7.5 out of 10? Well – call it “strange looking grain” or “digital noise”, but that’s what you’ll have to deal with throughout the movie. It does not look like real film grain, but more like the consequences of some digital treatment. It’s quite obvious for the first thirty minutes – afterwards, it’s getting a lot better; some of the last shots (I especially remember the rainy scene at the end in the car) look really great. /// The picture quality of this release is definitely not perfect - but it’s not in the least as bad as some reviewers make us believe. I was not overwhelmed, but quite satisfied with the picture. /// AQ: 7.5 out of 10 points. The dialogues are clear, although there are some slight variations of loudness. Soundtrack and sound effects are powerful and well-balanced. So why only 7.5 out of 10? First, there are two very (and I’d like to stress that: very) short moments of asynchronicity – nothing to whine about, but nothing do deny either. Second, the score by members of Goblin sounds powerful – but it’s also a little bit rough from time to time, forcing the speakers to sound a bit tinny. I also took into account that some members here complained about having some trouble with their rear speakers. /// Again, the sound is not perfect – but it is more than adequate. I also liked the fact that the movie is presented in its faithful original Mono mix. /// Extras: 9 out of 10 points. As usual, the extras are very nice. I especially liked the interview with Daria Nicolodi. It’s always a pleasure to see and hear her pulling Dario’s leg without humiliating him. The Goblin extra’s a little gem - but see and listen for yourself. As for the packaging: the usual Arrow treatment. 4 nice sleeves, slip case, booklet, and poster. /// Great as usual – nothing to complain about. I would have loved to hear more from Luciano Tovoli, though. /// It is a nice package after all. Yes, there are some issues with the picture – but it is worth every penny all the same. Recommended. Greetings! |
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