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More Euro-fever: Sex of the Devil (Il Sesso Del Diavolo) (1971) Weird multi-genre melting pot Sex of the Devil is an extremely difficult film to pin down, not least of all because it is the epitome of style over substance, and is perhaps best described as an esoteric psychological thriller drama tinged giallo. Filmed in Turkey the film deals with an impotent surgeon questioning his worth who flees to Istanbul with his young wife and medical assistant where he rents a villa which was once occupied by a French sculptress who apparently committed suicide. Oh, and the housekeeper of the villa practices witchcraft in her spare time too. Complimenting all this there is also an odd Cipriani score which shifts from subtle to in your face 'boing-ing', plenty of gratuitous nudity and some rather random dialogue coupled to a story that rarely makes sense - although I guess it doesn't have to. A real curio for sure. 62/100 Who Killed the Prosecutor and Why? (Terza ipotesi su un caso di perfetta strategia criminale) (1972) A pretty run-of the mill politically focused mediocre giallo that sees a photographer and his model girlfriend witness a murder that's dressed up to look like an accident. The photographer takes pictures as the crime unfolds and then, after finding out that the victim was a crusading prosecutor for the Republic, tries to raise interest and a little cash by attempting to take the photos to the Mafia and an unscrupulous scandal sheet journalist. However, a black gloved killer shows up and after dispatching the murderers, starts to work their way through everyone else who is connected with the photos. 58/100 |
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Death Carries a Cane (1973) A photographer, played by Nieves Navarro, witnesses the murder of a woman through a tourist telescope. Unable to get a clear sight of the killer she informs the police as one by one all witnesses to the killers escape wind up dead. Directed by Maurizio Pradeaux, and one of only two gialli he made out of a rather tiny seven film career, the other being 1977's Death Steps in the Dark. Death Carries a Cane is promising but on the whole meanders about a little too much for my liking. Despite having a high sleaze quota with frequent nudity and some graphic razor murders, the in between stuff just isn't that involving. However the finale with Navarro being stalked by the killer in a darkened greenhouse (i think) is suspensefully executed. The dialogue, albeit dubbed on this release from Full Moon, (Under the title Tormentor) is uninspired as is Pradeaux's camera work, although none of this is helped by the out of his control pan and scan hatchet job on the film. There are numerous scenes of dialogue which are so badly handled, especially across desks,as in the police station, that none of the actors are on screen whilst speaking, with the camera seemingly focused on inanimate objects in the centre of the original widescreen print. It is distracting and does harm the film's overall impact. Despite this obvious problem the film possesses some nice touches, the typical giallo killer - black hat, coat and gloves, being one. I also like the idea of the cane. The killer holds his victims down using the cane handle before slashing their throats with the razor. Yes it's practically a cliched idea but it's one that works for me in a film with practically no clues as to the killers identity. Death Carries a Cane is unremarkable but still more than watchable example of the giallo thriller despite it's woeful pan and scan print and despite it's flaws is still worth picking up for anyone wanting a less expensive release than the German one. |
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