#111
| |||
| |||
Quote:
The melancholy romanticism in the opening scene with Isa Miranda then gives way, extremely abruptly, to something far more brutal and realistic for the rest of the film - it's a very deliberate transition of tone by Bava. I don't see why his visual palette would stay in this Technicolor-dreamworld vein. If anyone could make the visual style fit the material, it's Bava. |
#112
| ||||
| ||||
To me the Arrow BD blows the others away without a doubt! I think the AB looks terrible with the colours. Arrows version looks a lot more natural.
|
#113
| ||||
| ||||
Quote:
The typical, referred to the 70s part. The 70s was all about gaudy bright colours and that's how this film is known, rightly or wrongly. It's how I've always seen it so that's how it is and unless Bava himself tells me otherwise, that's always going to be the case. N.B. I'm done with this now, or else all the little Arrow bots are just going to come out of the woodwork, one's already been called in and reared its head, others are sure to follow lol |
#114
| |||
| |||
Quote:
Back to Bay of Blood though, I think it's genuinely a transitional work by Bava. You can't get much more blunt a statement of an artist breaking from his past style as the opening sequence. Whatever the colour palette, the tone is way more misanthropic and brutal than his previous films. |
#115
| ||||
| ||||
There are several other forums where lables post details of their releases and get the same respose as the people on here but no-one ever says a thing about them. (and no, I'm kissing ass or anything it's just how I see it) Last edited by Pete; 2nd December 2010 at 01:55 PM. |
#116
| ||||
| ||||
Quote:
If only there could be moles and bots and all the rest in a lavish scheme to promote films that sell in such small numbers that no sane big studio would waste their time... but the plain fact of the matter is one guy - Fran - at Arrow is trying to pull together the best possible elements to make good releases. It's not easy to do this because the economics don't stack up to spending wild amounts of money and until you buy the rights to a film you don't know what materials you're getting or what state they're in and sometimes the licensor couldn't give a flip about what they're selling you. I also know having worked with companies like Anchor Bay and HKL during the glory days of the DVD industry that budgets are a fraction of what they used to be because the margins just aren't there any more. This forum was set up as a communication point between interested distributors and fans and the simple idea is that it might offer the chance for feedback - good and bad but hopefully constructive that might lead to better releases within the realms of what is actually possible. There are many good examples of how titles have then been improved - for instance two artwork panels on this release were changed due to fans on here. That's it. And there are no shortage of damning comments on this forum as well as buckets of praise but I do object to people getting attacked for having a good point about something they think could be better just as much as I object to people being vilified for showing enthusiasm. Let's just respect opinions, have the debate and not worry about a secretive army of internet ninja recruits dispatched to lure trusting fans into committing money into DVDs and BDs that will bitterly disappoint. It's much easier not to have this place - it'll never be perfect but such is life. Plus there are hundreds of alternative and longer-running forums out there where the debate can rage on. Fran spoke to me about Bay because with the materials available it's never going to be a release to knock socks off with but every possible effort has been made and there we are. It'll be interesting to see what people think and hopefully anyone who commits their hard-earned cash to buying a copy will be suitably happy with the transaction. |
#118
| ||||
| ||||
My take on it all is that I have absolutely no idea. I've never seen a theatrical print. I think the ABUS colour scheme looks blown out and the Italian looks absurd with it's contrast boosting. Who knows.. maybe the Arrow is spot on, possibly the happy medium is somewhere in between the ABUS and Arrow. The detail looks really good from those new BD screencaps though so I'll be keeping my order without a doubt and enjoying it highly I expect. |
#119
| |||
| |||
Quote:
|
#120
| |||
| |||
Quote:
In the end of the day, Arrow is less expensive and with more extras. |
Like this? Share it using the links below! |
| |