| ||||
Quote:
I sold it to someone on here. Was it you? |
| ||||
Quote:
May have been. I can't remember which AWE I got from you and which I got in that mental Boostep sale the other year. The AWE version is a big improvement over the Arkiv VHS that I have and am used to. Especially the night scenes. It also has a better picture and is longer than the VCI version. Though the VCI one seems to have slightly better (though still not great) audio. |
| ||||
OK, this is the weirdest thing... I am just checking the VCI release of Today It's Me Tomorrow You, having just watched the AWE one. Now, the AWE release is PAL and runs 98 minutes (meaning a cinema running time of around 101/102 minutes). The VCI release runs under 95 minutes, meaning a cinema running time of, well, around 95 minutes! They are from different sources. Yet, having scanned through the VCI, I swear that nothing has been cut, and certainly not nearly 7 minutes of footage! I realise that VCI are not the most "high end" of companies, do you think it conceivable that they have sped up the film slightly in order to fit two films on one DVD? If so, does this mean that the other film (The Stranger's Gundown/Django The Bastard) is not cut either, despite what I have read on the 'net? I am very intrigued. Any more technically minded folk who can comment on the feasibility of speeding up film slightly in this way? |
| ||||
Quote:
Django The Bastard runs the same length as my other versions of it. So it's just Today... that's the weird one! |
| ||||
As per the Tyneside Cinem's 75 Years of Film event on Saturday night/yesterday I watched Reservoir Dogs Evil Dead 2 Mulholland Drive Eternal Sunshine of the Spotless Mind Strangers on a Train The Third Man Annie Hall Fargo All on the big screen, and for 75p a ticket each. A truly fantastic weekend. |
| ||||
Quote:
__________________ My collection http://www.imdb.com/list/YtDtrFzZ2i8/ |
| ||||
The Tunnel (2011, D: Carlo Ledesma) A very flawed but also very interesting mockumentary/found footage job from Australia. What lets it down are occasional amateurishness in acting and script and attempts to compensate by "trying too hard". Also it is crippingly derivative - the spirits of REC, The Descent, Blair Witch and others are constantly tapping your shoulder throughout. What is good is the story idea (the water recycling start to the story, the hints of cover-up from above), the setting (glorious tunnels beneath Sydney) and the characterisations. These people are not very pleasant or sympathetic, but they are developed and it is a shame that the acting was not quite up to the mark. In a way, the film seems like a "demo", and as such it's a very impressive one. With better direction and actors this idea could have been a winner. As it is, it is still worth a watch. |
| ||||
Quote:
__________________ |
Like this? Share it using the links below! |
| |