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For Your Eyes Only (1981)
__________________ My DVD collection http://artisturn.dvdaf.com/owned |
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...and the new Bioshock movie. Watched The Boxer's Omen (1983) your standard blend of Ch'an Buddhism and someone being sewn inside a crocodile (for ressurrective purposes natch). A veritable visual feast, and was well worth the wait. 10/10.
__________________ [SIGPIC][/SIGPIC] [B] "... the days ahead will be filled with struggle ... and coated in marzipan ... "[/B] |
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A definite fave of mine, a real mad pearl - if you or anyone knows of any HK that tops it for sheer out-thereness I'd be interested, I know there are so many of these flicks that haven't even made it to DVD. Edging towards a rewatch now it's back in my mind...
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Over the last two nights I have tried and failed to sit through Hellmaster. Partly due to tiredness, but mostly do to the incoherent nature of the thing. What a mess of a film: badly written, awful acting (poor David Emge and John Saxon try hard, but those around them...sheesh!) and the worst editing I have seen...possibly ever! But... ...something keeps drawing me back. I don't know if it's the attempts to recreate Suspiria-esque ambient lighting effects, the appealingly twisted nature of the "family" of psychos or that one of the psychos is Ron Asheton of The Stooges in a nun's habit! I am determined to see it through to the end! |
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And even the fans I know write off Alien ressurection as a mis-step, seriously how they managed to make a film worse than alien 3 I do not know. |
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I think AMELIE, A VERY LONG ENGAGEMENT, ALIEN RESURRECTION, MICMACS, THE CITY OF LOST CHILDREN are all very good films his visual style makes him one of the best French film directors (I enjoyed ALIEN 3) |
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I was one of those who think Alien Resurrection isn't the complete disaster some people think it is and the casting, direction and visual style works very well in the final instalment. Also, although Alien 3 is clearly flawed and has 'studio interference' written all over it, it's one I've seen several times (watching both versions) and it's a real shame we'll never see a definitive director's cut because, understandably, David Fincher wants to move on from what must be a very painful experience and doesn't want to work with a studio which did its best to wreck what could have been a genuinely great movie.
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