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__________________ I now have a shiny new website! Or check out my DeviantArt profile if you please... |
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__________________ I now have a shiny new website! Or check out my DeviantArt profile if you please... |
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Finished the evening with a return to Kevin Smith's work,this time Dogma. Dogma is one of those films that I love when I am watching it - it has some brilliant one liners and is littered with homages to other films - but thinking about it afterwards I still find otto be a let down after Chasing Amy. The message is too heavy. Next up Jay and Bob Strike Back and then (if I can pick it up while in Canada) Jersey Girl (currently the only Smith film I don't have on blu).
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The Postman Always Rings Twice (1981) The interaction between Nicholson and Lange is sizzling hot. Real shagging? Definitely. John Colicos and Michael Lerner are excellently cast in their respective roles. As for the ending...I'm still gutted. Sympathy for sex-driven murderers? Just strike me pink! Look out for Anjelica Huston in a small role. Compelling. A brilliant film. |
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I seem to be at an ends with Pete here. As I found Now you See Me enjoyable fluff if a bit deflating, This is the End utter shite and one of the few films I've recently walked out on, and Pacific Rim to be utterly thrilling and pandering to my inner child. Diversity here folks.
__________________ Sent from my freezer with the power of will and a bit of crack. My Deviantart page- For 2000AD and anime fan art with a pinch of nature. DVD and BD collection |
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Haven't really been watching much at all recently. Revisited THE ISLAND OF DEATH and found it to have lost none of its sleazy charm. Made the mistake of trying to fathom its moral compass whilst completely drunk - things didn't work out well. Outside of the catalogue of sordid goings on it offers, the ending with the shepherd is just mad. What does it all mean? "Grab the sword, kill them all!" etc etc - wonderful soundtrack. COSMOPOLIS I thought was great, the nearest thing to 'old style' Cronenberg I've seen in a while. I realise that most will violently shake their heads at that one, but it seemed pretty true to the essence of what he often says albeit in a non-FX context and pitched to the point of abstraction. Fragmented, dreamy atmosphere and I was never bored once - something about all that cryptic (or uber pretentious?) dialogue kept me riveted, somehow. TRANCERS seemed like highly agreeable rubbish and tallied well with my eighties fetish. In this case, the 'eightiesness' was all about Christmas in LA in 1985, something which seems sufficiently exotic and weird enough to appeal to my provincial mentality. Obvious elements like the whole time slip thing and the sci-fi noir aspect might have been imported from other sources, but it felt somehow like it staked out its own territory and rose above the perils of genre derivation. Actually, to skip back to my opening line, I did say 'rubbish' didn't I... whereas in fact this is competently made, well paced and self aware, with a few knowing winks tossed out to the audience. I don't know what the rest of them are like, I know there were quite a few sequels. |
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