#8631
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I actually have a copy of LONG JENNIE SILVER |
#8632
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I thought making the photographs black-and-white was a pretty smart move when the viewfinder marks aren't always visible due to Storaro's 2.00:1 ratio which is, to put it mildly, far from ideal. It easily differentiates the shots from the camera to those in the rest of the film.
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#8633
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And is it as utterly weird and slightly kinky as the book makes out?
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#8634
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Only saw that scene - only wanted to see it out of curiosity, and it's not as a bad as it's made out to be. She just kind of sticks it in there. Although I think if I hadn't read about it before hand I would have been shocked.
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#8635
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Quote:
But its all the mistakes that Arrow have gone along with like Storato's wrong ratio etc I've been a hard core Argento since the days of video and when dvd was available GREAT! I have so all his films on dvd/blu ray and just very disappointed with Arrow over one of the best giallos ever - shame |
#8636
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Looking forward to the screen shots Pete. |
#8637
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Quote:
So could you please stop moaning? I guess it's clear that we all wanted the 2.35:1 aspect ratio. But now we have to live with the 2.00:1 Univisium. As you do not own the Arrow release - have fun with your BU release, but don't nag. It's no use crying over spilt milk. And besides: the Arrow release is nevertheless great. No offense, but I had to say that. Greetings! PS: The Bird with the Crystal Plumage is Blu-ray only. PPS: |
#8639
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I often find when something really strange catches me off guard it has a far greater impact than when you know something is coming and what the 'something' will be. A prime example is Audition as I knew nothing about it when I first saw it and boy, did it sideswipe me!
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