| ||||
The Ox-Bow Incident (1943) Henry Fonda leads an all star cast in this terrific conscience provoking western about three men taken for murdering cattle thieves by a local posse intent that justice will be done. Although the star of the film, Fonda doesn't actually do an awful lot except watch proceedings unravel as Dana Andrews and Anthony Quinn are tried by street justice. The film is delightfully acted with a script and dialogue Tarantino would kill to have written. The way it plays with people's blind prejudices leading to what amounts to the cold blooded murder of innocents is a subject no less poignant today. Andrews is excellent, it's clear to the viewer he's innocent all along yet the posse's blinkered viewpoint never flinches. Whilst watching i did feel The Ox-Bow Incident would make an excellent companion piece for 1957's Fonda starrer 12 Angry Men in the way it deals with hatred and prejudice. Highly recommended. |
| ||||
Planet of the Apes (1968) **** out of *****
__________________ My articles @ Dread Central and Diabolique Magazine In-depth analysis on horror, exploitation, and other shocking cinema @ Cinematic Shocks |
| ||||
Angel of Darkness (2014) Stephen Rea plays an academic type who drags his daughter along to Hungary when he visits to check out an old castle before it's demolished. Once there they save a young woman from a car accident and take her into their home. Turns out the woman is the vampire Carmilla. Despite one or two scenes with a nice creepy atmosphere and a whiff of eroticism there's not an awful lot going on here other than a modern retelling of the Carmilla story complete with hysterical villagers. Events move along at a snails pace with barely any bloodsucking and certainly no blood bathing. It all feels a bit confused, not sure if it wants to be a full on Gothic mystery or a whiny teenage angst bore-a-thon. Whilst it was okay and featured good cinematography, there really isn't much to recommend here. |
| ||||
One, Two, Three (1961) James Cagney's final film, and in my opinion he gives one of his finest performances in this frantic Billy Wilder comedy about the chief of West Berlin's Coca Cola plant who finds himself in dire Cold War straits when the CEO's daughter from the States comes to visit. One, Two, Three is as vibrant as Wilder films come, fast paced with even faster talking. Cagney who basically carries the whole film, his rapid fire dialogue delivering so many one liners it's impossible to take them all in without missing the next one. Wilder throws in dozens of references to Cagney's past from the cuckoo clock that plays Yankee Doodle Dandy (and speeds up when Cagney's in full flow) to him threatening to push a grapefruit into Horst Buchholz's face, not to mention his lovely secretary Liselotte Pulver who does her best Monroe table dance which certainly echoes Some Like it Hot. Wilder uses West German locations to the maximum especially the Brandenburg Gate making it all look so authentic and very Cold War with it's bombed out East Berlin. True it pokes fun at communism and freely supports US capitalism but that's where many of the laughs come from. I only found out about this film earlier this week and bought it immediately. I'm so glad i did as it's become a James Cagney favourite after just one viewing. Highly recommended. |
| ||||
Quote:
|
| ||||
Quote:
Second to last film then. Have you seen it? Is it any good? Sounds like a musical. Yankee Doodle Dandy showed he could dance with the best of them. |
| ||||
Quote:
I love his singing and dancing in Footlight Parade where he sings Shanghai Lil...no doubt banned these days for retrospective racism... |
| ||||
Quote:
Quote:
*Second from left in both pictures
__________________ People try to put us down Just because we get around Golly, Gee! it's wrong to be so guilty |
Like this? Share it using the links below! |
| |