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I have to admit that Anna Kendrick was one of the principal reasons I went to see it, but what does Edgar Wright have to do with her?
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Crank (Nevedine/Taylor). Ahem, so I felt that I should at least attempt to watch the 1st film as the sequel entranced me so much. Actually yawned within 20 minutes, but at least I now can piece it all together when I next peruse C:HV. A Bay Of Blood. This never disappoints. Haven't got it?? Get it cough cough. Oh, and I watched Django Unchained. Enjoyed it more than his WWII film, and it was fun playing "spot the old actor", but why people laud him I can only put down to laziness, of course as a D'amato fan I'm used to people laughing at my opinions
__________________ [SIGPIC][/SIGPIC] [B] "... the days ahead will be filled with struggle ... and coated in marzipan ... "[/B] Last edited by Demoncrat; 14th January 2013 at 01:15 PM. |
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Berberian Sound Studio (2012) Before i start, i had not read any other comments on this thread before viewing to avoid spoilers. A stunningly simple yet highly effective piece of film making from director Peter Strickland. BBS is a horror film without gore, without swearing, without a single murder, yet proves to be one of the best films i have seen in a very long time. Its Strickland's use of sound which is so simple yet almost revolutionary. The effects created by the dubbing artists are at once brilliant and frightening, set for the most in a single room - the sound studio of the title, i'm not sure how Strickland has pulled this off. His cast headed by Toby Jones are all excellent and make the whole scenario completely believable. And then we get to the hour mark..... and the reason i watched this film two and a half times in one sitting, not going to bed till 4am. Strickland turns the whole thing on its head. Doubts grew in me as to whether Jones actually went to the studio in the first place. If he did what happened to him? Does he have a nervous breakdown? or has Strickland done a Pulp Fiction and not shown the films scenes in order? I'm not ashamed to say, i don't actually know, and thats why the film is so damn brilliant. Strickland's commentary track which i listened to one and a half times is infuriatingly ambiguous, he gives nothing away whatsoever leaving the viewer to make up their own mind as to what they are watching. The fact we see scenes of Jones previous work as a sound artist completely throws things up in the air, as does the fact the cast, Jones included all suddenly speak Italian and the film is totally subtitled from then on. I smiled when Jones began talking in Italian as it made me think "Typical Italian film, the soundtrack's all over the place" which, when you listen to the commentary, is exactly what the director wanted to achieve. Berberian Sound Studio is a film that is still whirling around my head at 4.30 an afternoon later. Is it the best film of 2012? No, that honour goes to The Equestrian Vortex. |
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