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The Big Short (2015) **** out of **** The Hateful Eight (2015) **** out of ****
__________________ My articles @ Dread Central and Diabolique Magazine In-depth analysis on horror, exploitation, and other shocking cinema @ Cinematic Shocks |
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Videodrome - Some films take their sweet time creating an atmosphere, Videodrome has it in spades from the off. It's oppressive, chilling and just icky from the minute the titles appear on screen. It's actually a little disturbing just how prophetic Cronenberg was, it's themes are probably more relevant today than they were in the early 80s. A masterpiece. |
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Rewatched Solarbabies (Paul Johnson, 1986) Mates were fairly nonplussed, but twas this or my new Franco, so this is what they picked the philistines haha. Whatever I said about it being a teen Rollerball still stands.
__________________ [SIGPIC][/SIGPIC] [B] "... the days ahead will be filled with struggle ... and coated in marzipan ... "[/B] |
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The Night Has Eyes (1942) I saw this for the first time last month and indeed reviewed it on this very thread. I knew it would soon draw me back. The Night Has Eyes is one of those ingenious little Gothic chillers that has all the right ingredients that make for a classic old dark house thriller. Dark stormy nights, shadowy corridors, secret rooms, skeletons, perilous marshes, murder, a house full of seemingly 'strange' inhabitants, psychological shocks, and a foreboding soundtrack. All quite wonderfully held together by a strong central performance from an introspective James Mason. A film that's definitely creeping towards my top 10 black and white films of all time. Superb viewing. |
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Black Metal Veins Bleak. Repulsive. There but for the grace of God go I etc. Found this tough viewing and had to watch it in stages. The parts with one of the addict's Mum were very real and painfully sad. The darkest moments of Trainspotting are positively uplifting compared to anything on display here.
__________________ I was busy pushing bodies around as you well know and what would a note say, Dan? "Cat dead, details later"? |
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Blue Velvet - Lynch's exploration of darkness in the suburbs holds up remarkably well. Disturbing and hilarious, sometimes during the same scene, Blue Velvet really gets under the skin. Like Douglas Sirk on acid, Blue Velvet really was a bolt from the blue on release, it's understandable why it confused critics, however time has been kind to the film and it's now regarded as something of a masterpiece. This was my fourth or fifth viewing and it's parallels with Twin Peaks became even more obvious. Fantastic film, one that'll I'll constantly revisit. |
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