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9F40009F-3315-4671-A631-B1543FC778BB-1701-000000DB762C301A.JPG Couldn’t resist, but it’s all a bit of fun, so hopefully he won’t take offence
__________________ If I'm curt with you it's because time is a factor. I think fast, I talk fast and I need you guys to act fast if you wanna get out of this. So, pretty please... with sugar on top. Clean the ****ing car! |
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I wanted to see Solo today, but the only time which was suitable meant paying extra money for a 4DX showing, something which doesn't interest me at all. There is a decent time on Monday, so hopefully it'll be quiet in the good weather! I did watch Deadpool 2 again, a film which entertained me as much today as when I saw it last week and will probably do so many more times when the buy it to watch at home. Sent from my TA-1033 using Tapatalk
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I was laughing from the opening credits to the end credits, he clearly didn’t like it because it’s not the Exorcist
__________________ If I'm curt with you it's because time is a factor. I think fast, I talk fast and I need you guys to act fast if you wanna get out of this. So, pretty please... with sugar on top. Clean the ****ing car! |
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Manhattan Baby (1982) Using Stoker's Jewel of the Seven Stars as it's primary inspiration, Lucio Fulci's Manhattan Baby fails on so many levels. The story is a difficult one to make interesting for cinema goers as other film makers (The Awakening, Blood From the Mummy's Tomb) have found out. To that end Fulci adds elements from The Exorcist into the mix as the film morphs into an incoherent mess. Having said that, the film isn't just about the sum of it's parts, it's almost a series of vignettes thrown together from which Fulci hoped to assemble some sort of story. Sadly they don't. What we do get is a nicely shot movie with good Egyptian and New York location work with each sequence adding it's own weirdness to the overall film. Barely five minutes passes without something horrific or interesting happening, meaning, despite it's story line or lack of it, the film still has a lot of entertainment value. Take the bird attack at the finale. It's resplendent with trademark Fulci gore yet also shockingly amateurish in it's execution. As a final thought it's worth asking why on earth Fulci thought the extremely irritating Giovanni Frezza would be a good addition as a child actor. He was bad enough as Bob in House by the Cemetery withoud him showcasing his talents here as well. Manhattan Baby isn't classic Fulci, it isn't even good Fulci but it is weirdly watchable Fulci. |
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