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A NIGHTMARE ON ELM STREET 3: DREAM WARRIORS – Commonly thought of as the best of the series after the original, ‘Dream Warriors’ arrived at the peak of the eighties horror moment. It bears all the hallmarks of the mid to late decade – rowdy special effects set pieces, rock video aesthetics (lots of gelled lighting etc), lengthy dream sequences, comedic lightness over grindhouse squalor. Freddie is in his element as a kind of degenerate MC, but if the wisecracks flow at least they’re not insufferable, and even lend a bit of zest to this tale of ‘kids ganging together to defeat the menace’ (another eighties trope). The performances of the likes of Langenkamp and Arquette are good, and John Saxon returns as burned out cop dad. I always enjoy dipping back into this one, it never sets me alight but it’s a prime example of where horror was at in its day. SUBURBAN SASQUATCH – A mad ‘classic’ of late SOV from 2004, probably around the time the term was becoming meaningless with the advent of cheap hi-def. Not that there’s anything remotely hi-def about ‘Suburban Sasquatch’. The film itself is perhaps not unlike its namesake, lurching from scene to scene with complete disregard for human sense-making capability, leaving behind nothing but the wreckage and an audience haunted by questions it can’t answer. Flying rubber limbs pile on top of vision quest segues. ‘Birdemic’ level CGI will make you retch. The dialogue is the best, a mumbled library of mystical non sequiturs and banality. I like bigfoot’s random malevolence and its powers of teleportation. If you want the basics, it’s about a Native American hunter and a feeble journalist who stalk Sasquatch as it murders people in the forest near a new housing development. But it is so, so much more. A monument to outsider vision. |
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Saoirse Ronan is sublime in the lead role, helped by Nick Hornby's deft script and a fine supporting cast including Domhnall Gleeson, Jim Broadbent, Emery Cohen, and Julie Walters. It looks really good in HD, with that 1080p picture showing off the location shooting and extremely convincing period design.
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Wyvern. 2009. After global warning melts the ice caps, a prehistoric creature known as a Wyvern awakens and attacks a small Alaskan town. We got a made for TV movie about a mixed creature that we have a character telling the tale about it half way through. Don S. Davis in his last role as the old army colonel who the townsfolk think he is loopy. Barry Corbin is the old hillbilly who is eventually believed that he saw something in the sky and Nick Chinlund as the local trucker dealing with the loss of a family member. Given the budget, the effects of the creature are decent except the explosion which is CGI and very daft, it this was a decent film. The pacing is good and kept going and never got dull or boring. Most of the kills are offscreen and we see the after effect. I'd happily return to this one. p193819_p_v8_aa.jpg
__________________ " I have seen trees that look like tortured souls" |
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After all of this talk of Brooklyn I decided I was actually going to watch it instead of just thinking about watching it. I loved it, just what I needed this morning. It made me cry, it made motion angrily at the screen, I also laughed quite a bit, there is some great dialogue in this! It's on iPlayer for the next 28 days if anyone else wants to watch a love story in 50's New York.
__________________ Triumphant sight on a northern sky |
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Last edited by Demdike@Cult Labs; 15th July 2023 at 02:04 PM. |
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Edit - Unbelievable. One was literally about 10 cm behind the chair i'm currently sat it. 100mins? You cannot be serious! |
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The Head Hunter (2018) In medieval times a fierce warrior collects the heads of beasts that terrorize a nearby kingdom waiting for the one that killed his daughter. There's a lot going for this low budget film. It looks gorgeous. Shot entirely in forest locations the cinematography is lovely and it looks a million dollars however there's only so many times i can watch the hunter thrust some creatures head onto a spike from a fight we haven't been witness to before it becomes tedious. The narrative isn't helped by there only being a single person in the entire film and a total lack of dialogue. Couldn't he have talked to himself a bit? I simply didn't feel anything whilst watching other than how beautiful it looked. Whilst The Head Hunter is aesthetically brilliant it's minimalism in it's story telling really let it down for me. A movie of what could have been i think. |
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