#3781
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Watched another great Asian epic, Three Kingdoms: Resurrection Of The Dragon directed by Daniel Lee, and starring Andy Lau, Sammo Hung, and Maggie Q.
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#3782
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Watched Sleepless. Was a good movie with interesting story. Kills were not that violent me thinks. I felt it was about 10 mins too long though. Not as good as Suspira and Deep Red of course. |
#3783
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watched this last night. well what can i say, after waiting nearly 15 years to get my hands on a decent print. i was disappointed, the print on it is very watchable but is more like a very good vhs than a dvd and the subs don't interfere too much. it plays a lot like a comic book adaptation (not sure if it is as i haven't watched the interview yet, the only extra on the disc). considering the effects that the Italians and Americans were producing a few years before then the budget shows up considerably. if you were expecting a Dawn of the dead/ Zombie Flesheaters type movie then stay clear and stick with Junk.as this one feels more at home with Tokyo Gore Police/ Meatball Machine
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#3784
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#3785
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#3786
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From what you've said it looks like Synapse were more interested in just getting this released rather than making it an awesome package... Speaking as a fan of Japenese cinema, and enjoying both the classic and the new wave of film I'll probably pick it up, but will more than likely wait until it has dropped in price on Amazon Marketplace or somewhere similar. Cheers for the warnings! |
#3787
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Also recommend Ortolani's jazzy score to Buona Sera Mrs Campbell (good cast, bland film), the cute Spy with a Cold Nose, Day Of Anger (brilliant) and Brother Sun, Sister Moon (Italian print only). |
#3788
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Solomon Kane Well, what a surprise! My girlfriend took me to see this for my birthday knowing that, as a Robert E Howard and Solomon Kane fan, I was intrigued to see what would happen to the character in a film setting. I feared another Constantine, where Hollywood ruined and insulted a character I loved from the source material. But I was not counting on something - Solomon Kane is not a Hollywood film... I think this is a fitting and extremely likeable adaptation to screen. There is a lot to admire here: verve, atmosphere, action, horror...all played gloriously straight faced and with none of the pretension of "high fantasy" like Lord Of The Rings - just wonderful, violent, dark, bleak, Good vs Evil, Sword 'n' Sorcery of the old school. James Purefoy is a good Kane and the rest of the cast are fine...and, unknown to me, the great Max Von Sydow (one of my favourite actors) is in it! I had to stop myself squealing like a schoolgirl when he appeared on screen! The monsters are superb and you never feel the film's low budget. I feared the worst and was elated by the film. I loved it and thought it a complete success. Here's hoping it makes anough money so the trilogy can be completed. The Crazies I loved this film when I was younger but hadn't seen it for ages. It is better than I remembered. A low budget gem ripe with Romero's inventiveness, social comment and dark world view. Superb stuff. I may risk the remake next week! |
#3789
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re: What films have you seen recently?
just watched a perfect getaway, nothing new here but the last 30m are quite fun.
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#3790
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The Tomb Of Ligeia The last of Corman's "Poe Cycle" is also one of the best. This is the only one to make large use of location shooting and was made in the UK. Set in England in the mid 19th century the film can be mentioned with Witchfinder General and Blood On Satan's Claw in its use of the English country landscape for Gothic atmospheric effect. It is quite beautifully shot, and in this regard had a lot to live up to coming as it did after The Masque Of The Red Death in the Cycle. Perhaps a realisation that this masterpiece could not be topped in visual terms is one reason why ...Ligeia is filmed so differently to Corman's other Poe pictures. Whatever the reason, it is a visual feast in its own right and quite stunning to look at. By this stage too, Corman had fully mastered the Cinemascope (here masquerading as "Colorscope" ) anamorphic format and was clearly enjoying it. Robert Towne's script is quite as good as those revered efforts Richard Matheson provided for Corman and there is some humour to be dug out from the Gothic/Victorian English stylings. It deals with many deep Poe themes, not least survival after death and necrophilia and is a successful evocation of Poe's work. There are also much splendid shenanigans with a possessed/evil cat (great performance from the cat too!) and - really! - an under-stated Vincent Price performance! Perhaps the only one of his career! A great film, not quite achieving the perfect heights of The Masque Of The Red Death, but certainly a major achievement of Corman's Gothic period. Last edited by Gojirosan; 28th February 2010 at 12:05 AM. |
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