28th September 2012, 07:18 PM
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| Active Cultist | | | |
Here's some things I've seen recently and my thoughts upon said things
The Killing - Not the Danish one with the lady in the jumper, but the early Kubrick - it's pretty good apart from a dumb voiceover telling you whats going on (Eminem spoofed this in the Guilty Conscience video I now realise) and a racehorse being shot. Not dissimilar to Riffifi with the same fatalistic, we're all doomed (especially criminals) vibe.
Hotel - Yet again, 3rd time in a year. What is it with this movie? Saw through it's technique this time - every shot is simply held for about 20 seconds longer than necessary - yet it still spooks me. There's a scene which simply shows the lead actress in an old fashioned dressing gown bending over, except the framing cuts her head off and it seems shot in a weirdly elongated way - inexplicably shivery.
Paranorman - 3rd cinema visit in as many weeks and it's still all good. I loved this, although its probably scarred my mates kids for life. Never thought I'd see Cannibal Apocalypse referenced in a kids movie. Either we're living in strange times or i'm getting old - probably both. One moan - why didn't they follow through on the 'seeing dead people' angle - those early spectres were hilarious, especially the mobster still in his concrete 'boots'!
Strip Nude for Your Killer - Hmmm. I've been on a 'classics' kick lately so thought I'd add a bit of roughage to my diet and watch this piece of shucht. All i remember is a succession of luridly coloured underpants and breasts. Lots of breasts. They don't make them like this anymore, thank Christ.
Wages of Fear - Now you're talking, what a film - just oozes atmosphere for the first hour and tension for the second. I think it's all a descent into hell, complete with inferno and devilish twist at the end but you'll be too gobsmacked to notice at the time. French actors & directors circa 1950s were incredible - Les Diaboliques, Les Yeux Sans Visage, Riffifi and now this - any other recommendations most welcome.
Barfly - Mickey Rourke's performance here is something else, I can't decide whether it's his best or worst. Looks like he's got a mouthful of cotton wool in his gub, a la Brando and he adopts a weird stooped gait for the entire movie - and what's that accent about? Jack Nance is in it! So is Frank Stallone! Catfight between Faye Dunaway and a snobby blonde bird at the end briefly stirs the torpor. Actually I quite like this film for all its drunken tottering.
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