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  #27481  
Old 20th February 2014, 10:59 AM
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If you have not seen it already i can highly recommend The Orphanage, i think Del Toro was a producer or something on this, another child ghost story.
I've looked into this one after watching TDB, it's on the never ending list
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  #27482  
Old 20th February 2014, 04:30 PM
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Shocker (1989)

For seventy odd minutes Shocker is an excellent, original film from legendary horror director Wes Craven. His Horace Pinker creation is a menacing, sneering thug marvellously portrayed by Mitch Pilleggi of The X-Files fame. The plot is interesting and the characters draw you into their well rounded world. In addition to this there are a few groovy scenes of gore and a killer, original metal soundtrack to top it all off. For the most part it's an intelligent mix of horror, thriller, and action movie with a whole dollop of fun thrown in.

Unfortunately during the last twenty minutes Craven reverts to type and fails to curb his excesses, playing out the action in alternate realities akin to his Nightmare on Elm Street fave Freddie Kruger's dream worlds, although in this case through a television set. These set pieces are a bit of fun but hardly original in the Craven universe and in the end left me with a bit of a sour taste in my mouth as i felt i'd seen it all before.

Despite my reservations about the finale, Shocker is a great watch and easily one of Wes Craven's best films.
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  #27483  
Old 20th February 2014, 04:32 PM
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Originally Posted by Demdike@Cult Labs View Post
Shocker (1989)

For seventy odd minutes Shocker is an excellent, original film from legendary horror director Wes Craven. His Horace Pinker creation is a menacing, sneering thug marvellously portrayed by Mitch Pilleggi of The X-Files fame. The plot is interesting and the characters draw you into their well rounded world. In addition to this there are a few groovy scenes of gore and a killer, original metal soundtrack to top it all off. For the most part it's an intelligent mix of horror, thriller, and action movie with a whole dollop of fun thrown in.

Unfortunately during the last twenty minutes Craven reverts to type and fails to curb his excesses, playing out the action in alternate realities akin to his Nightmare on Elm Street fave Freddie Kruger's dream worlds, although in this case through a television set. These set pieces are a bit of fun but hardly original in the Craven universe and in the end left me with a bit of a sour taste in my mouth as i felt i'd seen it all before.

Despite my reservations about the finale, Shocker is a great watch and easily one of Wes Craven's best films.
Let's not forget a great song by Megadeth* on the soundtrack too!


*Yes, I know it's an Alice Cooper song, but Megadeth's is a better version IMO
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  #27484  
Old 20th February 2014, 04:38 PM
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Let's not forget a great song by Megadeth* on the soundtrack too!


*Yes, I know it's an Alice Cooper song, but Megadeth's is a better version IMO
I did mention the killer metal soundtrack in the review. Not by artist though.
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  #27485  
Old 20th February 2014, 04:43 PM
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So you did, that's what you get for reading quickly
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  #27486  
Old 20th February 2014, 07:10 PM
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Let's not forget a great song by Megadeth* on the soundtrack too!


*Yes, I know it's an Alice Cooper song, but Megadeth's is a better version IMO
I think you may have to listen to a few strong words from Suzi on that one later
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  #27487  
Old 20th February 2014, 07:13 PM
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Originally Posted by Demdike@Cult Labs View Post
Shocker (1989)

For seventy odd minutes Shocker is an excellent, original film from legendary horror director Wes Craven. His Horace Pinker creation is a menacing, sneering thug marvellously portrayed by Mitch Pilleggi of The X-Files fame. The plot is interesting and the characters draw you into their well rounded world. In addition to this there are a few groovy scenes of gore and a killer, original metal soundtrack to top it all off. For the most part it's an intelligent mix of horror, thriller, and action movie with a whole dollop of fun thrown in.

Unfortunately during the last twenty minutes Craven reverts to type and fails to curb his excesses, playing out the action in alternate realities akin to his Nightmare on Elm Street fave Freddie Kruger's dream worlds, although in this case through a television set. These set pieces are a bit of fun but hardly original in the Craven universe and in the end left me with a bit of a sour taste in my mouth as i felt i'd seen it all before.

Despite my reservations about the finale, Shocker is a great watch and easily one of Wes Craven's best films.
It been many years since i have seen this. Nice review i must get a copy sometime.
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  #27488  
Old 20th February 2014, 07:41 PM
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Die screaming, Marianne.


Susan George stars at Marianne, working her way across Europe as a go-go dancer in a bid to avoid the hired thugs sent by her corrupt and incestuous father The Judge. Marianne is set to inherit a fortune when she's 21, money her late mother stole from the Judge. Marianne heads to Britain with a bloke she meets hitchhiking and the head off to get married, only she marries the wrong fella. Not really liking the bloke she was supposed to marry she moves in with her accidental husband and they end up falling in love. It turns out however that the bloke she was supposed to marry works for the judge and he lures them back to Portugal where the knives are sharpening for a final showdown.

This film is often wrongly accredited as a horror film when it fits more into pulp crime fiction territory. I've never really gotten on with the film previously, and while I still find it the weakest of Pete Walkers films (the non sex-picture ones) I actually enjoyed it a lot more this time round than I did previously. Leo Glenn is marvelous as the corrupt and sleazy Judge and naturally Susan George is both good as an actress and easy on the eyes as Marianne. The opening credits are genius and still one of the best part of the film.

The Comeback.

I've always had a soft spot for this film. Like With Die Screaming Marianne I actually enjoyed it a lot more this time round as well. Jack Jones plays a pop star who has returned to London to make a new record after a six year absence. His producer sets him up at a sinister old mansion run by Mr and Mrs B. (sheila Keith and Last of the summer wines Bill Owen!) Pretty soon he starts hearing a girl crying at night and starts to think he's losing his mind. To top it off there's a demented killer lurking at his apartment who has killed his ex-wife and anyone else who happens by!

Watching the film again after a long absence I found myself enjoying the comeback more than I had previously. The opening murder of the ex-wife is genuinely shocking, the killers motivation is both insane and plausible and it's there are plenty of clues to be seen (though most people will guess, Walker has never been very good as a film maker at keeping secrets as Schizo also demonstrates) The Comeback deserves a reappraisal in my opinion. It's perhaps more conventional than Frightmare or House of whipcord and perhaps suffers a little from no David McGillivray screenwriting. It is however a fun little Horror/thriller with a decent plot. Jones is no oscar material but he carries the film well. Also nice to see Pamela Stephenson looking hot. That Billy Connolly is a lucky bloke. A real shame she quit acting though as she's really gifted.

Slice and Dice: The slasher film forever.

A nice little documentary from Callum Waddell who brings together hours of interviews together for an interesting look at one of Horror's biggest sub-genres. I doubt it's the last word on the subject but it'll definitely have you digging through your collection for stuff to watch.

Unhinged.

Speaking of which, the first title I came across was this Bizarre slasher picture from Oregon. Unhinged is about a group of girls who get stuck at a creepy old mansion out in the middle of nowhere, populated by an old woman and her daughter. The dialogue is overwritten, the acting is amateurish and some of the editing is frankly odd. Watching it today its difficult to believe this was ever considered worth banning. Whichever moron took this off the shelf must have been a habitual glue sniffer or ether fiend to find it shocking. That said it's also easy to see why its a cult film. It may be really, really, bad but it has a weird quality to it that seems to keep me watching it until the end. I don't know if its an Ed Wood factor, where the filmmakers believe so strongly that the film is some kind of masterpiece, or whether the freaky editing and stilted acting make it surreal enough to transcend itself when watched around midnight.
Totally agree about 'Unhinged'. It's a film that many dismiss as boring, but it's just got such a weird atmosphere, as you point out. For some reason I always link it in my mind with 'The Slayer', maybe just as a movie that kind of drags in a way but still feels very strange. Also agree on the underrated 'The Comeback'.
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  #27489  
Old 20th February 2014, 07:59 PM
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Yes unhinged is a kinda film that has that weird feeling that it kinda keeps you watching and somehow you manage to enjoy the film, violent and gory and belonging on the nasty list,nah there hundreds that could of been on the list way before this film.
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  #27490  
Old 20th February 2014, 09:12 PM
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5IRLS. Piss awful, demonic possession flick that could have been great if the cast and director ran head first into the muted violence and nudity on offer and exploded them across the screen.
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